Tuesday, 24 January 2012

Levinas Emmanuel - Monks of Tibhirine

Precious photo Jan 1996
 Email from friend . . .


Dear Donald,  
I would like to thank you very much for your help.

The pages of the attachment are already very helpful.
They will become a part of the literature the students have to read.
. . .
Thanks for sending me the copy.

God bless you and your work.

Maarten


A Heritage Too Big
Volume 2

Scan of pages 91-95

per Fr. Donald, Nunraw Abbey


17. NOTE: Emmanuel Levinas
Emmanuel Levinas
in the Reading of Christian and Christophe
David Hodges, OCSO, Caldey

Emmanuel Levinas (1906-1995), French philosopher, has exerted a considerable influence on a generation of continental philosophers and religious thinkers. Some of the concepts at the centre of his thought provided Fr. Christian and Fr. Christophe with a catalyst for the expression of their ideals and their understanding of the death at the hands of others which they felt to be approaching. Translations of Emmanuel Levinas and studies of his philosophy have become more widely available in the English speaking world in recent years. The following note indicates some of the references made to him in the writing of Christian and Christophe. (Ed.)

Dom Christian de Cherge, Superior of the monastery of Atlas in Algeria, who was martyred along with six other brothers of the community in 1996, wrote an extraordinary Testament before he died in which he envisaged meeting his death at the hand of a Muslim terrorist and forgave him in advance. He wrote of seeing God in the face of the other, even the assassin, drawing on the categories of the philosopher, Emmanuei Levinas, whom he had studied. He addresses his 'envisaged' assassin: "Qui, pour toi aussi je le veux ce merci et cet 'A-DIEU' en-visage de toi". "En-visage de toi", in whom I see the face of the Absolute Other, and in whom I go to God. God is seen in the face of the assassin, and death and the assassin are seen in the face of God. This could only be seen from the perspective of one who is himself a face of God's love for all. Here was a life totally given to God and to the other, - a vocation that can be seen with some assimilating of Levinas' categories and ideas, and christianising them: the face of the other; responsibility for the Other, even up to substitution and expiation for the other; responsibility for the actions of the other; a deep interiority allowing one to transcend self and to reach to exteriority; being-for-death as being-for-beyond-my death; death as but an opening to the Absolute other. Dom Christian goes further than seeing the face as an encounter with the Absolute other. He is bold enough to contemplate that after his death he will be able to: "immerse my gaze in that of the Father, and contemplate with him his children of Islam just as he sees them, all shining with the glory of Christ."    

COMMENT

Panorama of the Clyde  

---- Forwarded Message -----
From: Anne Marie. . .
To: Donald . . .
Sent: Monday, 23 January 2012, 22:40
Subject: Pic of the day

We had a day out on Sunday to do some photography.  Here is my favourite.  A panorama of the Clyde.

    Anne Marie 

COMMENT

----- Forwarded Message -----
From: William
Sent: Monday, 23 January 2012, 22:20
Subject: Re: [Blog] "Sunset. The Hour of Compline. Salve Regina." Thomas Merton

Dear Father Donald,
Unsleeping, your blog post delights me so much!
With my copy of the book by my bedside, and the window of my mind open to the night sky:
"The shadows fall. The stars appear. The birds begin to sleep Night embraces the silent half of the earth."
And "everything depends on our laying ourselves down "under the sweet stars of the world" and giving ourselves over to the hidden Wisdom of God."
With quiet inner joy,
. . .in Our Lord,
William

Monday, 23 January 2012

'Hagia Sophia, Holy Wisdom, who crowns Christ' Merton




She crowns Him not with what is glorious, but with
what is greater than glory: the one thing greater than
glory is weakness, nothingness, poverty.
She sends the infinitely Rich and Powerful One forth
as poor and helpless, in His mission of inexpressible
mercy, to die for us on the Cross. (Merton)




«Wisdom will honour you if you embrace her   she will place on your head a fair garland   she will bestow on you a crown on of glory.» (Proverbs 4:8-9)

HAGIA SOPHIA

§..  One day Father Louis (Thomas Merton) our friend came from his monastery at Trappist Kentucky to bring an ill novice to the hospital in Lexington. (I had known Father Louis since 1955 when I visited him for the first time. Later we printed several of his books.) We had prepared a simple luncheon and I welcomed him to sit with us at table. From when we be sat he had a good view of the triptych on. the chest and he often looked at it. After a while he asked quite abruptly «And who is the woman behind Christ?  said «I do not know;:yet.» Without further question he gave his own answer. «She is Hagia Sophia, Holy Wisdom, who crowns Christ.» And that she was - and is.
Victor Hammer

"Hagia Sophia Crowning the Young Christ." A line-cut of Victor Hammer's triptych painting of the same title. Courtesy of the Estate of Victor and Carolyn Hammer, and the King Library Press, University of Kentucky.


"Sunset. The Hour of Compline. Salve Regina." Thomas Merton


Hagia Sophia page 205-208

Sophia: The Hidden Christ of Thomas Merton

"Sunset. The Hour of Compline. Salve Regina."
"The Hour of Compline" invokes Hammer's image of the woman crowning the boy Christ. "It is she, it is Mary, Sophia, who in sadness and joy, with the full awareness of what she is doing, sets upon the Second Person, the Logos, a crown which is His Human Nature. Thus her consent opens the door of created nature, of time, of history, to the Word of God.” As Michael Mott observes, "Where Merton expects us to see the image from the painting" in these lines, "he also expects us to hear music.”128 When the Salve Regina is sung by the monks at the Abbey of Gethsemani, all lights in the abbey church are extinguished except for one, directed at the image of Mary in a window over the altar. 129
Yet Mary crowns her son "not with what is glorious, but with what is greater than glory: the one thing greater than glory is weakness, nothingness, poverty."130 It is thus through Mary's wisdom and "sweet yielding consent" that "God enters without publicity into the city of rapacious men:” Indeed, her "sadness" and "full awareness of what she is doing" reflect a wisdom well beyond her years, a wisdom deeply attuned to the "wisdom and foolishness" that will one day cause a sword to pierce her own heart. "She sends the infinitely Rich and Powerful One forth as poor and helpless, in His mission of inexpressible mercy, to die for us on the Cross.”
It is Significant that Mary is depicted in Hammer's picture neither as the mother of an infant nor as a royal Queen of Heaven. Her crowning of the boy Christ, notes McCaslin, is "an act of feminine power;' subverting traditional depictions of "the Coronation of the Virgin" in which Mary is crowned by Christ, rather than she actively empowering him. In crowning the Child with his "human nature,” the poem reminds us "that all men and women come from a common womb (the earth, the Feminine) and are alike vulnerable, frail, and utterly dependent on the earth and the feminine matrix.”131  Moreover, by depicting the Child not as an infant but on the brink of adulthood, both the picture and the poem underscore our common humanity with Jesus-not only "as ones who have undergone birth,”132 as McCaslin suggests, but also as a people called to serve in a world riven by sin and contradiction. As the incarnation of divine Wisdom, "the Child goes forth to ... crucifixion and resurrection. As humanity the child goes forth, an Everyman or Everywoman, into exile from paradise.”133  

Mary, in her "wise answer;' accepts the contradiction. Through her understanding, God enters "without publicity" into human history. The final scene of the poem, as Michael Mott notes, is a scene of haunting "solemnity, great beauty, and a piercing loneliness.”134:

The shadows fall. The stars appear. The birds begin to sleep Night embraces the silent half of the earth.
A vagrant, a destitute wanderer with dusty feet, finds his way down a new road. A homeless God, lost in the night, without papers, without identification, without even a number, a frail expendable exile lies down in desolation under the sweet stars of the world and entrusts Himself to sleep.”135

McCaslin sees in these lines "a strangely modern figure of the exile or God as exile in us,”136 -suggesting that human destiny in a world exiled from Sophia is not altogether different from that of Jesus, the Son of Man who "has nowhere to lay his head.” O'Connell makes a similar point, citing Philippians 2:6-11, Paul's striking hymn of kenosis, God's self-emptying in Jesus: "In identifying fully with the human condition, Christ is the perfect epiphany of Sophia, embodying and extending to all the redemptive mercy of God.”137
The final scene of Hagia Sophia unforgettably reprises Merton's celebration of Pasternak, whose protest is "the protest of life itself, of humanity itself, of love" against the "reign of numbers,"138 against the alienation and anonymity of mass society. What meaning can our lives have, after all, in "the vast expanses" of an evolutionary universe? Like the hospital patient in the opening section of the poem; like Mary, receiving with astonishment the message of the Angel Gabriel; like Joseph, who struggles in faith to make sense of it all; like Mary Magdelene, Peter, Nicodemus, John, all the hidden but crucial players in the narrative subtext of the gospels-when "night embraces the silent half of the earth;' everything depends on our laying ourselves down "under the sweet stars of the world" and giving ourselves over to the hidden Wisdom of God. Though our heads may pound with the clamor of many doubts and fears, and though it is more difficult than ever to see the stars, or even to remember to look for them through the glow of towering, sleepless cities, there is an inner music of Love, Mercy, and Understanding that rises up from the earth itself, Natura naturans, and from the still point of the human heart, asking to be set free in the world. She is Wisdom, our Sister: "God-given and God Himself as Gift.” When we attend to her tender voice and give our quiet consent, she effects in us a work greater than that of Creation: the work of new being in grace, the work of mercy and peace, justice and love.
Who, then, is Hagia Sophia? She is the Spirit of Christ but more than Christ. She is the Love joining the Father, Son, and Spirit that longs for incarnation from before the very beginning. She is Jesus our mother, and Mary, the Theotokos. She is the "pivot" (le point vierge) of nature, Natura naturans, and all creation in God from the beginning. Perhaps most of all, Merton's Sophia is our "true self;' when we (like Mary, seat of Wisdom) allow Christ to be birthed in us, and so realize the hidden ground of mercy, creativity, and presence in our very selves, the mystical Body of Christ. The moment her name awakens in us a sense of mercy, communion, and presence, Sophia is one Wisdom, one Child, one Meaning, one Sister" -is not symbolic, but real, more than literally real. The remembrance of Sophia opens onto a mystical political spirituality of engagement in the world.

Friday, 20 January 2012

Hagia Sophia COMMENT

hagiaprayercard


Hi, Wiiliam, 
It so happened that the COMPLINE of Thomas Merton in Hagia Sophia giving us our actual Compline.
And your underlining is enlightening. - and the pictures.
Thank you,
. . . . Donald
________________________________

--- On Fri, 20/1/12, William . . .
From: William
Subject: Re: [Blog] Hagia Sophia. Thomas Merton
To: "Fr Donald"
Date: Friday, 20 January, 2012, 19:36

Dear Father Donald,
 
hagiabroadside
What a joy and a delight to be sharing this wonderful book with you at one and the same time!
 
I cannot remember when any book held my fascination as this one has done.
 
With great excitement I found on the internet the image of Sophia (as on page 300), and one that has subtle variation [attachments].
And these are the lines of the poem highlighted below that capture it for me..."It is she, it is Mary, Sophia...."
 
Wonderful! 
. . . in Our Lord,
William

 
IV. Sunset. The Hour of Compline. Salve Regina.
Now the Blessed Virgin Mary is the one created being
who enacts and shows forth in her life all that is hidden in Sophia.
Because of this she can be said to be a personal manifestation
of Sophia, Who in God is Ousia rather than Person.
Natura in Mary becomes pure Mother. In her, Natura
is as she was from the origin from her divine birth. In Mary Natura
is all wise and is manifested as an all-prudent, all-loving, all-pure person:
not a Creator, and not a Redeemer, but perfect Creature, perfectly
Redeemed, the fruit of all God's great power, the perfect expression
of wisdom in mercy.
It is she, it is Mary, Sophia, who in sadness and joy, with the full awareness
of what she is doing, sets upon the Second Person, the Logos, a crown
which is His Human Nature. Thus her consent opens the door of created
nature, of time, of history, to the Word of God.
God enters into His creation. Through her wise answer, through her obedient
understanding, through the sweet yielding consent of Sophia, God enters
without publicity into the city of rapacious men.
She crowns Him not with what is glorious, but with
what is greater than glory: the one thing greater than
glory is weakness, nothingness, poverty.
She sends the infinitely Rich and Powerful One forth
as poor and helpless, in His mission of inexpressible
mercy, to die for us on the Cross.
The shadows fall. The stars appear. The birds begin to sleep.
Night embraces the silent half of the earth. A vagrant, a destitute
wanderer with dusty feet, finds his way down a new road. A
homeless God, lost in the night, without papers, without
identifications, without even a number, a frail expendable exile
lies down in desolation under the sweet stars of the world and
entrusts Himself to sleep.

Hagia Sophia. Thomas Merton








Thomas Merton

I. Dawn. The Hour of Lauds.
There is in all visible things an invisible fecundity, a
dimmed light, a meek namelessness, a hidden whole-
ness. This mysterious Unity and Integrity is Wisdom,
the Mother of all, Natura naturans. There is in all
things an inexhaustible sweetness and purity, a silence
that is a fount of action and joy. It rises up in word-
less gentleness and flows out to me from the unseen
roots of all created being, welcoming me tenderly,
saluting me with indescribable humility. This is at
once my own being, my own nature, and the Gift of
my Creator's Thought and Art within me, speaking
as Hagia Sophia, speaking as my sister, Wisdom.
I am awakened, I am born again at the voice of this,
my Sister, sent to me from the depths of the divine
fecundity.
Let us suppose I am a man lying asleep in a hospital.
I am indeed this man lying asleep. It is July the second,
the Feast of Our Lady's Visitation. A Feast of Wisdom.
At five-thirty in the morning I am dreaming in a very
quiet room when a soft voice awakens me from my
dream. I am like all mankind awakening from all the
dreams that ever were dreamed in all the nights of the
world. It is like the One Christ awakening in all the
separate selves that ever were separate and isolated
and alone in all the lands of the earth. It is like all minds
coming back together into awareness from all distractions,
cross-purposes and confusions, into unity of love. It is like
the first morning of the world (when Adam, at the sweet voice
of Wisdom awoke from nonentity and knew her), and like the Last
Morning of the world when all the fragments of Adam will return from
death at the voice of Hagia Sophia, and will know where they stand.
Such is the awakening of one man, one morning, at
the voice of a nurse in the hospital. Awakening out
of languor and darkness, out of helplessness, out of
sleep, newly confronting reality and finding it to be
gentleness.
It is like being awakened by Eve. It is like being
awakened by the Blessed Virgin. It is like coming
forth from primordial nothingness and standing in
clarity, in Paradise.
In the cool hand of the nurse there is the touch of all
life, the touch of Spirit.
Thus Wisdom cries out to all who will hear (Sapientia
clamitat in plateis
) and she cries out particularly
to the little, to the ignorant and the helpless.
Who is more little, who is more poor than the helpless
man who lies asleep in his bed without awareness and
without defense? Who is more trusting than
he who must entrust himself each night to sleep?
What is the reward of his trust? Gentleness comes to
him when he is most helpless and awakens him,
refreshed, beginning to be made whole. Love takes him
by the hand, and opens to him the doors of another
life, another day.
(But he who has defended himself, fought for himself
in sickness, planned for himself, guarded himself, loved
himself alone and watched over his own life all night, is
killed at last by exhaustion. For him there is no newness.
Everything is stale and old.)
When the helpless one awakens strong as the voice of
mercy, it is as if Life his Sister, as if the Blessed Virgin,
(his own flesh, his own sister), as if Nature made wise
by God's Art and Incarnation were to stand over him and
invite him with unutterable sweetness to be awake and to
live. This is what it means to recognize Hagia Sophia.
 
II. Early Morning. The Hour of Prime.
O blessed, silent one, who speaks everywhere!
We do not hear the soft voice, the gentle voice, the
merciful and feminine.
We do not hear mercy, or yielding love, or non-resistance,
or non-reprisal. In her there are no reasons and no answers.
Yet she is the candor of God's light, the expression of His
simplicity.
We do not hear the uncomplaining pardon that bows
down the innocent visages of flowers to the dewy
earth. We do not see the Child who is prisoner in all
the people, and who says nothing. She smiles, for
though they have bound her, she cannot be a prisoner.
Not that she is strong, or clever, but simply that
she does not understand imprisonment.
The helpless one, abandoned to sweet sleep, him the
gentle one will awake: Sophia.
All that is sweet in her tenderness will speak to him
on all sides in everything, without ceasing, and he
will never be the same again. He will have awakened
not to conquest and dark pleasure but to the impeccable
pure simplicity of One consciousness in all and through all:
one Wisdom, one Child, one Meaning, one Sister.
The stars rejoice in their setting, and in the rising of
the Sun. The heavenly lights rejoice in the going
forth of one man to make a new world in the morning,
because he has come out of the confused primordial dark
night into consciousness. He has expressed the clear silence
of Sophia in his own heart. He has become eternal.
 
III. High Morning. The Hour of Tierce.
The Sun burns in the sky like the Face of God, but
we do not know his countenance as terrible. His light
is diffused in the air and the light of God is diffused
by Hagia Sophia.
We do not see the Blinding One in black emptiness.
He speaks to us gently in ten thousand things, in
which His light is one fullness and one Wisdom.
Thus He shines not on them but from within them.
Such is the loving-kindness of Wisdom.
All the perfections of created things are also in God;
and therefore He is at once Father and Mother. As
Father He stands in solitary might surrounded by
darkness. As Mother His shining is diffused, embracing
all His creatures with merciful tenderness and light.
The Diffuse Shining of God is Hagia Sophia.
We call her His "glory." In Sophia His power is
experienced only as mercy and as love.
(When the recluses of fourteenth-century England
heard their Church Bells and looked out upon the
wolds and fens under a kind sky, they spoke in their
hearts to "Jesus our Mother." It was Sophia that had
awakened in their childlike hearts.)
Perhaps in a certain very primitive aspect Sophia is
the unknown, the dark, the nameless Ousia. Perhaps
she is even the Divine Nature, One in Father, Son, and
Holy Ghost. And perhaps she is in infinite light unmanifest,
not even waiting to be known as Light. This I do not know.
Out of the silence Light is spoken. We do not hear it or see
it until it is spoken.
In the Nameless Beginning, without Beginning, was
the Light. We have not seen this Beginning. I do not know
where she is, in this Beginning. I do not speak of her as a
Beginning, but as a manifestation.
Now the Wisdom of God, Sophia, comes forth, reaching
from "end to end mightily." She wills to be also
the unseen pivot of all nature, the center and significance
of all the light that is in all and for all. That which is poorest
and humblest, that which is most hidden in all things is
nevertheless most obvious in them, and quite manifest, for it
is their own self that stands before us, naked and without care.
Sophia, the feminine child, is playing in the world,
obvious and unseen, playing at all times before the Creator.
Her delights are to be with the children of men. She is their sister.
The core of life that exists in all things is tenderness, mercy, virginity
the Light, the Life considered as passive, as received, as given, as
taken, as inexhaustibly renewed by the Gift of God. Sophia is
Gift, is Spirit, Donum Dei. She is God-given and God
Himself as Gift. God as all, and God reduced to Nothing:
inexhaustible nothingness. Exinanivit semetipsum. Humility as
the source of unfailing light.
Hagia Sophia in all things is the Divine Light reflected in them,
considered as a spontaneous participation, as their invitation
to the Wedding Feast.
Sophia is God's sharing of Himself with creatures. His outporing,
and the Love by which He is given, and known, held and loved.
She is in all things like the air receiving the sunlight. In her
they prosper. In her they glorigy God. In her they rejoice to reflect
Him. In her they are united with him. She is the union between them.
She is the Love that unites them. She is life as communion, life as
thanksgiving, life as praise, life as festival, life as glory.
Because she receives perfectly there is in her no stain.
She is love without blemish, and gratitude without
self-complacency. All things praise her by being themselves
and by sharing in the Wedding Feast. She is the Bride and the
Feast and the Wedding.
The feminine principle in the world is the inexhaustible source
of creative realizations of the Father's glory. She is His
manifestation in radiant splendor! But she remains unseen,
glimpsed only by a few. Sometimes there are none who
know her at all.
Sophia is the mercy of God in us. She is the tenderness
with which the infinitely mysterious power of pardon
turns the darkness of our sins into the light of grace.
She is the inexhaustible fountain of kindness, and would
almost seem to be, in herself, all mercy. So she does in us
a greater work than that of Creation: the work of new being
in grace, the work of pardon, the work of transformation from
brightness to brightness tamquam a Domini Spiritu. She
is in us the yielding and tender counterpart of the power, justice
and creative dynamism of the Father.
 
IV. Sunset. The Hour of Compline. Salve Regina.
Now the Blessed Virgin Mary is the one created being
who enacts and shows forth in her life all that is hidden in Sophia.
Because of this she can be said to be a personal manifestation
of Sophia, Who in God is Ousia rather than Person.
Natura in Mary becomes pure Mother. In her, Natura
is as she was from the origin from her divine birth. In Mary Natura
is all wise and is manifested as an all-prudent, all-loving, all-pure person:
not a Creator, and not a Redeemer, but perfect Creature, perfectly
Redeemed, the fruit of all God's great power, the perfect expression
of wisdom in mercy.
It is she, it is Mary, Sophia, who in sadness and joy, with the full awareness
of what she is doing, sets upon the Second Person, the Logos, a crown
which is His Human Nature. Thus her consent opens the door of created
nature, of time, of history, to the Word of God.
God enters into His creation. Through her wise answer, through her obedient
understanding, through the sweet yielding consent of Sophia, God enters
without publicity into the city of rapacious men.
She crowns Him not with what is glorious, but with
what is greater than glory: the one thing greater than
glory is weakness, nothingness, poverty.
She sends the infinitely Rich and Powerful One forth
as poor and helpless, in His mission of inexpressible
mercy, to die for us on the Cross.
The shadows fall. The stars appear. The birds begin to sleep.
Night embraces the silent half of the earth. A vagrant, a destitute
wanderer with dusty feet, finds his way down a new road. A
homeless God, lost in the night, without papers, without
identifications, without even a number, a frail expendable exile
lies down in desolation under the sweet stars of the world and
entrusts Himself to sleep.