A Witness of the Absolute
_______
Pierre-Marie Dumont ____________
Front
Cover Artwork
1 n 1084, Bruno decided to withdraw
to the "desert", to an isolated wilderness where he might give himself
up to spiritual devotions without danger of distraction from the clamour of the
world. He founded a hermitage in the heart of the Chartreuse Mountains, in the
Alps-the source of the name "Carthusian". adopted by the religious of
his order, as well as the "charterhouses", which their monasteries
came to be called. In the background, the painter Mignard depicts Brunos first
six companions occupied in the various tasks of eremitical life. In 1090, Bruno founded a second
charterhouse in a "desert" of Calabria, Italy. While building work
was underway, Bruno lodged in a cave. Wishing to meet him, the lord of the domain,
Count Roger of Sicily, scoured the countryside for days but could find him
nowhere. And so he returned with his pack of hunting dogs. One of them tracked
Bruno down to his cave, in rapt contemplation of God. Mignard pictures the
hound here in the foreground. Before him, we find Bruno, his whole being turned
toward the divine light which floods down over him through a fissure in the rock.
The rosary hanging from the saint's belt is an anachronism, a witness to the fact
that this devotion, popularised by the Dominicans, was actually first conceived
by the Carthusians. On the ground, in the opposite corner, a skull recalls the
vanity of all human existence whose goal is not life in God. For, to a
Christian, each vocation is a religious one: through faith working through love
(Ga 5:6), to make of one's existence on this earth a life that endures for eternal
life. But the perfection of the vocation of each member of the Church is only fully
realised through the complimentarily of the gifts encompassed by the mystical Body
of Christ. Thus, while some devote their lives to preaching the Gospel, while
others witness to Christ's charity in service of their brethren, and still
others consecrate themselves to God through a consecration to one another by love
in marriage-certain members of the mystical Body are called to withdraw from the
world to act as perpetual witnesses of the Absolute, ensuring that Christ's prayer
to his Father is never extinguished from his Body.
Saint Bruno praying in the
wilderness (1638), Nicholas Migard. Calvet Museum, Avignon, France.
Artist.
NICOLAS MIGNARD 1606/1668
Saint
Bruno praying in the wilderness (1638)
Nicolas
Mignard is anything but an isolated provincial painter. In 1635, he moved
to Rome in the suite of the Ambassador of France Alphonse de Richelieu. This
is former Carthusian and very attached to the figure of St. Bruno, the founder
of the order. This may be to flatter his powerful protector that Mignard
realizes this painting, his first masterpiece.
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