Showing posts with label Adoration. Show all posts
Showing posts with label Adoration. Show all posts

Tuesday, 17 February 2015

San Damiano cross beside Blessed Sacrament

Story of St. Francis of Assisi

Saturday, 14 February 2015

San Damiano cross beside Blessed Sacrament

COMMENT Art Essay:
In the rear chapel of our church, on one side of the tabernacle of the Blessed Sacrament, is restored the San Damiano cross.
From our camera, the pictures illustrate the details  from the helpful Wikepedia. The painting was hand made in Assisi. 


San Damiano cross

From Wikipedia, the free encyclopaedia
to right ....
The San Damiano Cross
Copy now in the original position inside the Church of San Damiano
The San Damiano Cross is the large Romanesque rood cross that St. Francis of Assisi was praying before when he is said to have received the commission from the Lord to rebuild the Church. The original cross hangs in the Basilica of Saint Clare (Basilica di Santa Chiara) in Assisi,Italy. Franciscans cherish this cross as the symbol of their mission fromGod. The cross is of a type sometimes called an icon cross because besides the main figure it contains images of other saints and people related to the incident of Christ's crucifixion. The tradition of such crosses began in the Eastern Church and probably reached Italy viaMontenegro and Croatia.

http://en.wikipedia.org/wiki/San_Damiano_cross#Description
Description[edit]
  
Jesus Christ is represented upright in full stature while the surrounding figures are smaller. The bright white of his body contrasts with the dark red and black around it and accentuates the prominence of Jesus. This representation contrasts with the regal Christ portrayed on the cross in earlier centuries and the suffering, dying, crucified Christ depicted generally throughout the Churchsince the beginning of the 14th century. Above the head of Christ is the inscription in Latin: Jesus of Nazareth, King of the Jews.[3]  
 
   The next largest figures are five witnesses of the crucifixion.[3] On the left side are the Virgin Mary and St. John the Evangelist. On the right side are Mary Magdalene, Mary, Mother of James, and the centurion who in Matthew's Gospel account asks Christ to heal his servant, who is also depicted on the cross on the shoulder of the centurion (Matthew 8:5-13). Both Mary and Mary Magdalene have their hands placed on their cheeks to reflect extreme grief and anguish. The first four witnesses are saints and are therefore represented with halos. 
  
  Their names are written beneath their pictures.
Two smaller figures are located in the corners with the witnesses. On the lower left is Longinus the traditional name of the Roman soldier who pierced the side of Jesus with a lance. He is represented here as holding the lance and looking up at Jesus. The blood running down the right arm of Jesus begins at the elbow and drips straight down and will land on the upturned face of Longinus. In the lower right is Stephaton, the traditional name for the soldier who offered Jesus the sponge soaked in vinegar wine.[3] 

 
Peering over the left shoulder of the centurion is a small face. A close look reveals the tops of the heads of three others beside him. This represents the centurion's son who was healed by Jesus and the rest of his family to show that "he and his whole household believed" (John 4:45-54).
Six angels are represented as marvelling over the event of the crucifixion. They are positioned at both ends of the crossbar. Their hand gestures indicate they are discussing this wondrous event of the death and calling us to marvel with them.
At the foot of the cross there is a damaged picture of six figures, two of whom are represented with halos. In accordance with the traditions of the day, these six are the patrons of Umbria: St. DamianSt. MichaelSt. RufinoSt. John the BaptistSt. Peter andSt. Paul.
On the top of the cross, one sees Jesus now fully clothed in his regal garments and carrying the cross as a triumphant sceptre. He is climbing out of the tomb and into the heavenly courts. Ten angels are crowded around, five of whom have their hands extended in a welcoming gesture to Jesus, who himself has his hand raised in the form of a greeting.  
 
    
At the very top of the cross is the Hand of God with two fingers extended. This is to be understood as the blessing of God the Father on the sacrifice of his Son.
On the right side of the picture next to the left calf of Jesus, there is a small figure of a fowl. Some art historians have interpreted it to be a rooster, representing the sign of Jesus' denial by Peter, mentioned in all four Gospel accounts. Other commentators see it as a peacock, a frequent symbol of immortality in Early Christian art. Along the lower right side of the shaft, there is a small animal, possibly a cat.  
Angel in the Oratory - gifted by Moyra G... RIP







San Damiano Cross  A Brief Explanation 
By: Fr. Michael Scanlon, T.O.R.
Most Sacred Heart of Jesus Province, USA
The San Damiano Cross is the one St. Francis was praying before when he received the commission from the Lord to rebuild the Church. The original cross presently hangs in Santa Chiarra (St.Clare) Church in Assisi, Italy. All Franciscans cherish his cross as the symbol of their mission from God. The cross is called an icon cross because it contains images of people who have a part in the meaning of the cross. The tradition of such crosses began in the eastern Church and was transported by Serbian monks to the Umbria district of Italy.    




Friday, 9 May 2014

Eucharistic Rosary Hour

Adoration of the Blessed Sacrament
 The quarterly NEWSLETTER OF THROSARY containing inspirational reading for meditation has been pleased to to send by THE ROSARY APOSTOLATE.
Once again, the pamphlet of the 'Eucharistic Rosary Hour' comes to hand, inspiring.
The Month of May, Mary accompanies us in Paschal mystery of Easter-tide.

OUR LADY OF THE EUCHARIST

Our cover picture is of a Monstrance; that is one of those beautiful stands used in Catholic Churches to hold the Sacred Host for public veneration at the Exposition of the Blessed Sacrament.
 
This particular design might be entitled
Mary, Handmaid of the Eucharist, 
as it shows Our Lady holding the golden circle 
in which the consecrated Host is to be enthroned. Over Our Lady hovers the dove-symbol 
of the Holy Spirit
The wings of the dove encircle the hands of Mary
as if to renew and extend to our time, 
the wonder of her original role in the mystery of the Incarnation.

Most certainly Our Lady at no stage exercises the priestly ministry of consecrating the bread and wine of the Holy Sacrifice. But Catholic tradition remembers with reverence how once she stood beneath the Cross of Calvary and entered in a unique manner into the saving death of Jesus, her Son.

Padre Pio remarked that at every Mass, he saw this blessed event renewed. "Mary" he says accompanied me to the Altar and stood beside me."

St. Louis Marie de Montfort and that great disciple of his, in modern times, --- Frank Duff -- tell us, that in every celebration of the Mass and in every Holy Communion, we should give a loving attention to the Blessed Mother. We should invite her to prepare us and lead us to the Altar. Likewise we should allow her to help us make fitting thanks­giving to Jesus for the gift of Himself,

THE ROSARY AFTER MASS OR BEFORE
One of the most fruitful ways of making this preparation and thanksgiving, is by the devout recitation of the Rosary; --- for properly understood, the Rosary is a method of communing with the mysteries of Jesus. Each mystery is a "well-spring of salvation" from which we drink of the Precious Blood of the Saviour. Each mystery, as we enter into it, with faith, hope and love is nothing less than a spiritual communion, preparing us to receive the Blessed Sacrament of the Body, Blood, Soul and Divinity of Jesus Christ.
.....
Our Lady's
Gold Rose
The Golden Rose is the official emblem of the Rosary Society. It was chosen because Mary herself wore a Golden Rose on her brow in Knock. At the Grotto of Lourdes she had a rose of the same colour on each of her two feet. Members are enrolled at any church where the Confratemity is established, and are bestowed with the Rose




Friday, 18 April 2014

Holy Thursday 4. The Altar of Repose





The Altar of Repose 
When the Eucharist is processed to the altar of repose after the Mass of the Lord's Supper, we should
remain in quiet prayer and adoration, keeping Christ company. There is a tradition, particularly in big cities with many parishes, to try and visit seven churches and their altar of repose during this evening.

Popular piety is particularly sensitive to the adoration of the Most Blessed Sacrament in the wake of the Mass of the Lord's supper. Because of a long historical process, whose origins are not entirely clear, the place of repose has traditionally been referred to as "a holy sepulchre". The faithful go there to venerate Jesus who was placed in a tomb following the crucifixion and in which he remained for some forty hours.
It is necessary to instruct the faithful on the meaning of the reposition: it is an austere solemn conservation of the Body of Christ for the community of the faithful which takes part in the liturgy of Good Friday and for the viaticum of the infirmed. It is an invitation to silent and prolonged adoration of the wondrous sacrament instituted by Jesus on this day.
In reference to the altar of repose, therefore, the term "sepulchre" should be avoided, and its decoration should not have any suggestion of a tomb. The tabernacle on this altar should not be in the form of a tomb or funerary urn. The Blessed Sacrament should be conserved in a closed tabernacle and should not be exposed in a monstrance.
After mid-night on Holy Thursday, the adoration should conclude without solemnity, since the day of the Lord's Passion has already begun.
— Directory on Popular Piety

Thursday, 17 April 2014

Easter Approach now Holy Thursday 'Holy Sacrifice of the Mass'



Comment:  

Holy Thursday, 3. Liturgy of the Eucharist, brings to the heart of the 

'Holy Sacrifice of the Mass'.

Lenten Reading, or lenten browsing, on the illuminating paintings of the artist, Elizabeth Wang.

Below, the twenty full colour paintings,

'Holy Sacrifice of the Mass' draw us into the wat of 'Radiant  Light.

* * *
FW: Easter - Elizabeth Wang
On Friday, 11 April 2014, 
William ...> wrote:
Dear Father Donald,

Thank you! - I am pleased that the Easter card and poem email reached you 'soundly', always worried lest my old version of Word causes you problems. You may judge how your encouragement to find art as a source of spiritual inspiration has excited and influenced me. I think I studied all of the available 'Emmaus' paintings before I found that particular one, the 'instant' of the revelation of Christ's presence.

Elizabeth Wang's painting are truly inspirational. I have begun saving copies of the Mass paintings to delight in them, and following your link to St Paul's, have ordered a copy of the poster. Gazing at the copies has quite entranced me. Sister Wendy's words on abstract art are profound: "We have to respond to it, be still before it, let it speak to us, before we can "see". Doesn't this parallel what happens in prayer?" and "In prayer we are still, we can allow the jumbled pattern - not to unravel into clear shapes - but to reveal in the very jumble" Our Lord's presence.

What a treasure for meditation and contemplation - thank you!

...yours in Our Lord,
William

From: Donald ...>
To: William J ...> 
Sent: Thursday, 10 April 2014, 
Subject: Easter approach and poem

Dear William,
Thank you, and overwhelmed with your Easter gifts.
And I add to the GAZE from Elizabeth Wang's canvases.
Donald
Note: In Elizabeth Wangs’ collage on “The Holy Sacrament of the Mass” seems to give the key parallel to Wendy Becket’s meditation on abstract canvases.
Yet we would not know this is "two sunflowers" had we not been given the title. The actual canvas is an intricate mesh of colour and line: an abstraction. Given the name, we can read it with joy. Isn't this part of the delight of the work? We have to respond to it, be still before it, let it speak to us, before we can "see". Doesn't this parallel what happens in prayer?

For the moment, taking Sr. Wendy latching on to the title, it will be revealing of the rest of the 20 titles in The Holy Sacrifice of the Mass. The GAZE on just one give me the hour before the Mass.

Poster: Holy Sacrifice of the Mass

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Quick Overview

This beautiful poster contains twenty full-colour paintings which illustrate the Mass from beginning to end, with English and Latin picture titles.

§  Images and texts from this website can be downloaded for non-commercial uses, with full attribution, under these conditions. If you copy or download images or text from this website it is understood that you have agreed to these conditions.
Please note these are jpeg images of 1500 pixels width. They should allow high quality printing up to size A4, and reasonable quality printing up to size A3. You can download images one-by-one, or use the "Download all images" button below.
THESE DOWNLOADS ARE PROVIDED FREE OF CHARGE. PLEASE CONSIDER MAKING A DONTATION TO SUPPORT THE WORK OF RADIANT.
http://www.radiantlight.org.uk/art_gallery/cart/


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1. INTROIT Entry into the Sancuary
2. KYRIE Lord Have Mercy
3. GLORIA Glory be to God
4. ALLELUIA The Gospel
5. CREDO The Creed
6. OFFERIMUS TIBI The Offertory
7. SANCTUS Holy, Holy, Holy Lord
8. EPICLESUS Come. Holy Spirit
9. HOC EST This is my Body
9. HOC EST This is my Body
11. MYSTERIUM FIDEI The Acclamation
12. OMNES QUI All our Departed 
 13. PER IPSUM Through Him, with Him
14. PATER NOSTER Our Father 
 15 AGNUS DEI Lamb of God
16. DOMINI Lord, I am not worthy 
17. COMMUNIO Communion 
 18. LAUS ET JUBILATIO Praise and Joy
 19. ITE, MISSA EST Go to Love and Serve
20. DEO GRATIAS Thanks be to God 1992
+++++++++++++++++++++++++
Sister Wendy Becket
The Gaze of Love
Meditation on Art pp.60-61
Joan Mitchell
TWO SUNFLOWERS, 1980
"Art like prayer is always the expression of longing.”
Joan Mitchell was one of the so-called second generation abstract expressionists, and the overallness of Two Sunflowers might bring Jackson Pollock to mind.