Showing posts with label Art Essay. Show all posts
Showing posts with label Art Essay. Show all posts

Friday 10 October 2014

APPARITIONS BEHIND CLOSED DOORS - Sister Wendy's Meditations

Art Essay,  
Sister Wendy's Meditations on the
Mysteries of Our Faith   

FOURTH SUNDAY OF EASTER
APPARITIONS BEHIND
CLOSED DOORS
This is a very rare subject in art. Many painters have been attracted to the drama of Jesus appearing to Thomas to challenge his unbelief, but hardly any to the previous apparition when Jesus comes to his own in the upper room, Thomas being absent, and they have the first living proof that what the women have been saying–that unbelievable story–is actually true. John's Gospel emphasizes that the apostles were still very frightened. Enemies had killed Jesus, and they could well decide to do away with his followers also. They seem to be hiding out in the upper room, and they have the doors securely locked. The first indication that Jesus has not only risen but that this is a transcended Jesus comes from his heavenly ability to pass through closed doors.

Duccio obviously found the dynamics of this encounter fascinating. The locked doors are barred behind our Lord, and he stands framed by them. But his friends scatter to either side of the room aghast. No wonder that his first words are: "Peace be with you," and that a little later he has to repeat it. Saint John tells us that they were "overjoyed," but it is clearly a joy so "over," so enormous, that as yet their emotions are too limited to feel it. Frankly, they withdraw, trembling, the whites of their eyes very visible. Hands are raised in wonder, fear, reverence. They are speechless; they do not know where to put themselves. Soon Jesus will call notice to his wounds, the holy stigmata that make it inescapable that this is the very body that suffered on the cross. But Duccio is concerned with the first breathless moment when Jesus appears.
 
Living in the Present
It is all so familiar to us: we know what will come next and when the appearances will end (Ascension Thursday). We know how Peter, the gray-haired man on the left, with curls and a short beard, will grow in stature and become Saint Peter, the first pope. We know that young John, on the right, will write the most sublime of all the gospels and be the only apostle not to die a martyr's death. But they who were there could only live in the present, and what they were asked to do in that present was to look at Jesus and accept him.

Essentially, this is what God asks of us too. Our encounter may not be terrifying: easier perhaps if it were! God may offer the reality of his presence to us slowly, throughout a lifetime. We have been taught the doctrines of our faith, we have been helped to receive the sacraments, we have been in the congregation Sunday after Sunday for the homily. If we are sensible, we have read more about the faith now that we are adults: childhood instruc­tion is all too often misremembered, or even inadequate. We should, unless we have been lazy, have a solid structure of intellectual belief. But is this all? Does what we believe affect our daily lives? Is it what guides our decisions? Can those who know tell from how we act that we are followers of Jesus? We can call ourselves Catholic and even come to Mass, and yet our lives may be motivated by exactly the same principles as people whose only driving force is ambition and selfishness. Duccio shows us men being changed, men accepting to be changed. It is the same Jesus who says "Peace" to us, if we would only listen, who says peace and gives peace. He stands in the upper room of our hearts, even if our doors are locked, and asks us to respond   

   

Sister Wendy's Meditations on the Mysteries of Our Faith by Beckett, 
  
Wendy 1 edition (2007) Paperback  Jan 0100
by Wendy Beckett (Author)   





Thursday 31 July 2014

COMMENT: Saint Ignatius of Loyola (+ 1556)Farm Street is one of a series inspired by worship at Farm Street, a Jesuit Church in central London.

COMMENT: Art Essay.

Saint Ignatius of Loyola (+ 1556)


Sister Wendy Beckett
The Story of Painting
Dorling Kindersley London 1994 

p. 388 EPILOGUE
Robert Natkin, Farm Street, 1991
This is both an afterword and a foreword: hundreds and thousands of artists come after the disappearance of the "story line" into the maze of contemporary artistic experience and these same artists may of course be the forerunners of a new story. In the present context of the end of the century it is impossible to know which threads will lead us through the maze and which are in fact dead-ends. I can only then give a very personal, subjective sample of contemporary art and single out just three artists who I hope will endure.
 
Robert Natkin, Farm Street, 1991inspired by worship at Farm Street, a Jesuit Church in central London

One - Robert Natkin - is a senior artist and a supreme colourist who has up until recently resisted being called an abstract painter. Clearly, to Natkin every part of his canvas is vital with what he calls narrative interest. A communication is being made, visually - an experience is being enacted; but this event, so searching and enriching to the spirit, is carried out by means of shapes and colours, integrating into a wholeness. Natkin floats his colours on, denies them, deepens them, teases them into new complexities, always with a masterly elegance that is overwhelmingly beautiful. Farm Street (453) is one of a series inspired by worship at Farm Street, a Jesuit Church in central London. The picture offers the viewer an entry into worship, not just the painter's but our own.
It is a humbling and uplifting work, with its wonderful luminosities. Yet Natkin offends many critics by being too beautiful, purity being suspect in these days of dilemma.  

Tuesday 28 January 2014

Th Love of the Sacred Heart. Monteith, R. (Robert), 1812-1884. YouTube




R. Monteith

Short Name:
R. Monteith
Full Name:
Monteith, R. (Robert), 1812-1884
Birth Year:
1812
Death Year:
1884
Monteith, Robert, M.A., son of Henry Monteith, M.P., of Carstairs House, Lanark, was b. in 1812, and educated at Trinity College, Cambridge (B.A. 1834, M.A. 1837). He succeeded his father in 1848, and d. March 31, 1884, at Carstairs. His hymn,
I arise from dreams of time [thee]. (Sacred Heart of Jesus), appeared in the Rambler, Sept. 1850, p. 237, entitled "The Sacred Heart. Lines presented to a Lady as a substitute for Shelley's Lines to an Indian air. R. M." (Shelley's “Indian Serenade," written in 1819, begins "I arise from dreams of thee"). It is repeated in the St. Andrew's Catholic Hymn Book, 1863, and others. In the Crown of Jesus Hymn Book, 1862, it begins "I rise."
--John Julian, Dictionary of Hymnology, New Supplement (1907)

1.      
www.namethathymn.com › ... › Forum › Hymn Lyrics - Search Requests
http://www.namethathymn.com/hymn-lyrics-detective-forum/index.php?a=vtopic&t=771
6 13:41
Guest
My aunt Una, 92, is hunting for the rest of this hymn:

I rise from dreams of time,
An angel guards my feet,
To the sacred altar throne
Where Jesus' heart doth beat.

A Google search turns up the first line, but not the rest.  Can anyone help?
Sean

Posted:  05 Mar 2007 12:55
Guest    
  
I rise from dreams of time 

And an angel guides my feet 
To the sacred altar throne 
Where Jesus’ heart doth beat 
Ever pleading day and night 
Thou cannot from us part 
O veiled and wondrous sight 
O love of the Sacred Heart 

The lone lamp softly burns 
And a gentle silence reigns 
Only with a low still voice 
The Holy One complains 
Ever pleading day and night 
Thou cannot from us part 
O veiled and wondrous sight 
O love of the Sacred Heart 

Long, long I’ve waited here 
And though thou heeds not Me 
The heart of God’s own Son 
Beats ever on for thee 
Ever pleading day and night 
Thou cannot from us part 
O veiled and wondrous sight 
O love of the Sacred Heart 

In the womb of Mary mild 
In the cradle of the tree 
Heart of pure undying love 
You lived and died for me 
Ever pleading day and night 
Thou cannot from us part 
O veiled and wondrous sight 
O love of the Sacred Heart

Posted:  24 Jan 2008 23:05
Guest
Than kyou very much for this hymn, this was my great grandmothers favourite and i have been searching for a long time


  www.youtube.com/watch?v=w2W8mzJ8uvs  
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4 Apr 2011 - Uploaded by lulubritpetition
Lulu, Eddi Reader, Jack Bruce & Edwyn Collins -I Rise From Dreams of Time .... RelaxingHymns On Piano - A Whole Hour of Spiritual Musicby  .

Saturday 9 November 2013

Saint Catherine of Siena, statue, outside Castel sant'Angelo, Rome, Italy

COMMENT: St. Catherine of Siena was proclaimed one of the two patron saints of Italy by the Pope in 1939 along with St Francis of Assisi.





Catherine of Siena, a Dominican, exercised considerable influence over ... 
statue of Saint Catherine of Siena, outside Castel sant'Angelo, Rome, Italy.
A statue of Saint Catherine of Siena, outside Castel sant'Angelo, Rome, Italy. Artist: Francesco Messina (1900-1995).

Statue of St Catherine

St Catherine of Siena is commemorated by a statue located in the middle of a flowerbed in the magnificent gardens of Castel Sant’Angelo. Catherine was proclaimed one of the patron saints of the country in 1939 together with St Francis of Assissi. Sculpted entirely out of white marble, the figure is wrapped in a long, unadorned cloth, giving her a charitable look. Four base reliefs depict scenes from her life. The monument was designed in 1961 by Francesco Messina, the creator of the famous Dying Horse, situated in Viale Mazzini.