Showing posts with label Christmas Octave. Show all posts
Showing posts with label Christmas Octave. Show all posts

Wednesday 31 December 2014

Christmas Season. 'Light in darkness' by St. Bede

Christmas Octave...
Venerable Bede- James Doyle Penrose, Bede on his deathbed completing his translation of St John's Gospel to the young scribe Wilburt (Wilbur), 1902.  
31 DECEMBER  
Year 1

First Reading  
Second Reading
Colossians 2:4-15
          Responsory          Col 2:9-10.12
The fullness of divinity lives in Christ's humanity; + he is the head of every power and authority.
V. In baptism we were buried with Christ, and in baptism we have risen to a new life with him through our faith in the power of God. + He is the ...


From a homily by Saint Bede of England
(Hom. 1,6: CCL. 122,42-44)
 
The people who walked in darkness have seen a great light
There were shepherds nearby, keeping watch over their flock by night. And an angel of the Lord appeared unto them, and the glory of God shone round about them. When the true light of the world was born into the world, it was surely fitting for the herald of his birth to fill even men's bodily eyes with the wonder of heavenly light. The prophet says of his birth: Light dawned in the darkness for the upright of heart, and as if we had asked him what light he meant he immediately adds: the Lord uilio is gracious, merciful, and just. Since, then, the gracious and just Lord, creator, and Re­deemer of the human race, deigned to illuminate the world with the glory of his marvellous birth, it was altogether fitting for the glory of that wonderful light to fill the whole countryside around the place of his birth.

For today, in the city of David, a saviour has been born for us: he is Christ the Lord. Since the light of life has dawned for us who lived in the shadow of death, it is fitting that his herald sings: for (saviour has been born for us to make us always remember the night of blindness we used to live in, and urge us, now that the day of eternal salvation has come, to give up deeds done only in the dark, and live as children of the light.

Let us listen to the angel who appeared in glory speaking to the shepherds: Do not be afraid; I bring you good news, news of a great joy that will come to all people. Truly it was a great joy, for it was a heavenly joy, a joy no sadness could interrupt or disturb, a joy known only by the elect. That will come to all people: not all the Jewish people, or all the Gentile people, but all people from among the Jews, or the Gentiles spread throughout the world, who are united by the same acknowledgement of Christ, and are called Christians because they have the same understanding of the mysteries of Christ. It is of these people that the prophet says: The people who walked in darkness have seen a great light.

And this will be a sign for you: you will find a baby wrapped in swaddling clothes and lying in a manger. We ought always to remember this sign of our Saviour’s birth in a human body, and learn from it to thank him for his kindness by living a good life. For he chose to become weak like us, not recoiling even from the condition of human poverty. That he became weak is shown by the fact that he was a baby wrapped in swaddling clothes, and that he was poor by his being found not in a crib but in a manger. Let us then sing of the Lord's mercies forever, since he did not refuse to share our mean estate and our mortality so that we might live in eternal bliss.

Suddenly the angel who announced the Lord's nativity was joined by a great throng of the heavenly host who had come to pay devout homage to the newborn Lord, and to celebrate his present appearance on earth with the hymns of praise they had always sung to his glory in heaven. The praise the citizens of heaven thus teaches us how to celebrate the joy of this most sacred solemnity, and what songs of praise we should sing to the Word of God for becoming man and dwelling among to raise us up to the vision of his glory and give us a share in his own fullness of grace and truth.

Responsory
Light from light has appeared to us this day; come, all you peoples, and adore the Lord, P for today a great light has shone upon the earth.
V. Everlasting joy has come down to us from heaven. + For today a ...

Wishing you all the graces of this Christmas Time
and a New Year full of blessings
  

Wednesday 1 January 2014

MARY, MOTHER OF GOD The most famous Marian homily of antiquity


Hogmanay New Year

CHRISTMASTIDE
Octave of Christmas
1 January
MARY, MOTHER OF GOD
The most famous Marian homily of antiquity
From a homily by Saint Cyril of Alexandria
(Hom. 4: PG 77, 991.995-996)
This is the most famous Marian homily of antiquity. It was delivered in the Churchof Saint Mary at Ephesus between 23 and 27 June 431, while the third Ecumenical Council was in session there. This Council, at which Cyril presided as papal delegate, condemned Nestorius, and solemnly recognized Mary's title of Theotokos, Mother of God.
Mary, Mother of God, we salute you. Precious vessel, worthy of the whole world's reverence, you are an ever-shining light, the crown of virginity, the symbol of orthodoxy, an indestructible temple, the place that held him whom no place can contain, mother and virgin. Because of you the holy gospels could say:
Blessed is he who comes in the name of the Lord.
We salute you, for in your holy womb he, who is beyond all limitation, was confined. Because of you the holy Trinity is glorified and adored; the cross is called precious and is venerated throughout the world; the heavens exult; the angels and archangels make merry; demons are put to flight; the devil, that tempter, is thrust down from heaven; the fallen race of man is taken up on high; all creatures possessed by the madness of idolatry have attained knowledge of the truth; believers receive holy baptism; the oil of gladness is poured out; the Church is established throughout the world; pagans are brought to repentance.
What more is there to say? Because of you the light of the only-begotten Son of God has shone upon those who sat in darkness and in the shadow of death; prophets pronounced the word of God; the apostles preached salvation to the Gentiles; the dead are raised to life, and kings rule by the power of the holy Trinity.
Who can put Mary's high honor into words? She is both mother and virgin. I am overwhelmed by the wonder of this miracle. Of course no one could be prevented from living in the house he had built for himself, yet who would invite mockery by asking his own servant to become his mother?
Behold then the joy of the whole universe. Let the union of God and man in the Son of the Virgin Mary fill us with awe and adoration. Let us fear and worship the undivided Trinity as we sing the praise of the ever-virgin Mary, the holy temple of God, and of God himself, her Son and spotless Bridegroom. To him be glory for ever and ever. Amen.


Monday 30 December 2013

Mass 6th Day within Christmas of the Nativity of the Lord.



Father Marie-Domenique Philippe O.P. (+2006) 


Monday 30th December 2013.
MAGNIFICAT com. 
Gospel, Luke 2:36-40.
She spoke of the child to all who looked forward to the deliverance of Jerusalem’.
MEDITATION OF THE DAY
Anna and Mary
A widow of "great age" who "did not depart from the Temple, worshipping with fasting and prayer night and day" (Lk 2:37), moved by the Holy Spirit, begins to give glory to God and to speak of the Child Jesus "to all who were looking for the redemption of Jerusalem". Before John the Baptist, who will be "the voice of one crying in the wilderness" to announce the coming of the Messiah, after the angels who glorified God in the highest, there is this poor widow in the Temple, who is the first to announce the good news. This prophetess of the tribe of Asher is there as the representative of all the other prophetesses of the Old Testament who bore witness to God's merciful providence.
The mystery of the Presentation really brings together in the Temple all that was living and true in the Old Testament. The Holy Spirit brings them together in God's house so that they may be able to receive this first visit of Christ to the Temple to share in his mystery by recognising that the period of expectation has finally ended and that the Light appears and begins to rise.
This mystery shows us how the union of the Old and the New Testaments is found in Mary, how in and through her the Old Testament is assumed by the New without being abolished: the Old Testament is completely transformed. She is the woman who closes and completes the Synagogue and the woman who is the Mother and prototype of the Church.
This union is achieved through the mystery of the cross, but Mary must first live this mystery in her faith, her hope, and her love. This mystery must take complete possession of her soul before being accomplished out­wardly in Christ's body. She must carry it in the inmost depths of her heart, and this is truly what constitutes this mystery of offering and purification, which is actually one and the same mystery. For every offering brings about a purification, and every divine purification must be an offering.

Father Marie-Domenique Philippe O.P. (+2006) a Dominican priest was the founder of the Community of 5t John and taught philosophy and theology.




Sunday 29 December 2013

Sixth day in the Octave of Christmas

Christmas: December 30th

Sixth day in the Octave of Christmas 

» Enjoy our Liturgical Seasons series of e-books!
It would be ideal if we could devote several days of the Christmas octave to quiet contemplation, entering ever more deeply into the sweet and profound mystery of the Incarnation; yet much of the time is devoted to the saints. All the more precious, therefore, is this day, an unencumbered Christmas day. 


December 30, Sixth Day in the Octave of Christmas
God is your beatitude. The things of time are toys. You are eternity's child and your eternity has already begun! There is a compelling urgency to every day and every hour of the day. In it we are to witness to the truth — that God greeted and gifted us at Christmas.
If you know what witness means, you understand why God brings St. Stephen, St. John, and the Holy Innocents to the crib in the cave as soon as Christ is born liturgically. To be a witness is to be a martyr. Holy Mother Church wishes us to realize that we were born in baptism to become Christ — He who was the world's outstanding Martyr. — Love Does Such Things, by Rev. M. Raymond, O.C.S.O.


John the Beloved (3) in Christmas Octave,

COMMENT:
Google 'liquorice all sorts' on John  the Beloved; ranges the whole disarray of views.
I was relieved to find the "Help For Christians" link.


Judas, Peter and John(back to top)
Detail from The Last Supper

This group is where something quite specific is happening.

Since Leonardo was using the New Testament account as the basis for the picture, it is not surprising that the text makes everything perfectly clear. St. John's Gospel (chapter 13, verses 21 to 26) describes the event in these words:

Jesus said:
'Very truly, I tell you, one of you will betray me.'

The disciples looked at one another, uncertain of whom he was speaking.

One of his disciples - the one whom Jesus loved
 [John] - was reclining next to him;

Simon Peter therefore motioned to him to ask Jesus of whom he was speaking.

So while reclining next to Jesus, he asked him, 'Lord, who is it?'

Jesus answered, 'It is the one to whom I give this piece of bread when I have dipped it in the dish.'

So when he had dipped the piece of bread, he gave it to Judas...


The other Gospel accounts are very similar to one another and will have been familiar to the friars as they ate, and to Leonardo. They add the detail -

Then they began to ask one another which one of them it could be who would do this.
(Luke 22:23)

In addition, both Mark and Matthew record the question 'Surely, not I?'

Leonardo naturally incorporates this detail which dovetails so neatly with St. John's account, and such questioning is most apparent in the Apostles on the right, numbers 7, 9 and 11.


The Key Group
The three in the second and visually 'lowest' group are:
  • Judas the Treasurer and Traitor
  • Simon Peter the Leader
  • John ('the disciple whom Jesus loved') or, according to the Da Vinci CodeSt. Mary Magdalene.

They are a fascinating bunch, and are worth close attention.


a) Judas, the Treasurer and Traitor
Judas, was the 'keeper of the purse', i.e. the Apostles' treasurer. He is the odd one out in the company, but at this stage he is not yet known to be the traitor by the other Apostles.

Leonardo had a complex set of requirements to meet.

i) He had to identify Judas for the viewer.
ii) He had to make Judas's position close enough to Jesus so that Jesus, moments later, can give him the piece of dipped bread as St. John's Gospel records.
iii) He had somehow to set Judas apart, but without jumping-the-gun and depicting him as the Traitor.

Leonardo accomplishes this in six ways:

  1. Judas is the only Apostle identified by his traditional symbol. In his case it is always a leather money-purse: he holds it in his right hand as he rests his arm on the table.
  2. As Judas has to be able to receive the dipped bread from Jesus, his other arm is stretched out along the table towards Jesus's hand.
  3. With his hands and arms clearly well onto the table, this position enables Judas to be nearer us than the other Apostles are. Visually Judas is on a different plane from the rest, and views Jesus differently - this is theologically true also.
  4. Judas is able to look back at Jesus. While the other Apostles are in the light, Judas's face is in comparative darkness because of his very different position. His face in shadow acts as a camouflage, and Leonardo does his best to merge Judas into his background (which happens to be Simon Peter).
  5. Judas's head is lower than all the others. He is given a green outer robe (in contrast to Jesus's red garment), and his hair is darker than most.
  6. Leonardo depicts Judas's face in even less than full profile.

These factors combine with considerable effect. Anyone who was asked quickly to count the number of Apostles' might easily see only eleven at first glance.


b) Simon Peter, the Leader
The next Apostle in the irregular row of heads is Peter. He is primarily identified by what he is doing - although he is also portrayed with his traditional short beard and receding hair. He is visually emphasised by Leonardo's placing of him so that the line of the rear corner of the room 'points' down to him.

In St. John's account 'Peter motioned to him [John] to ask Jesus.' Peter, being the leader, acts as spokesman for them all.
Peter's left hand is visible just below John's face and points to Jesus. This is what is being said at the moment that Leonardo chose to depict, and so is of the utmost importance.

Apostles 10, 11 and 12 seem also to be talking, but it is what Jesus has just said (made clear by the shock of the Apostles) and what Peter is saying to John that constitute the event.

To make this clear to the viewer Leonardo places Peter's and John's heads extremely close and visually uses Peter's pointing hand to link them even tighter. Ask the casual observer 'Who is obviously speaking?' and 'Who is obviously listening?' and they cannot but point to Peter and John in the second group, because Leonardo's visual signals are so strong.

Having had to place Peter and John so close, Leonardo was faced with the problem of the composition of this group. Judas's position made his head much lower than anyone else's. To unite this second group of Apostles, Leonardo has to get Peter's, John's and Judas's heads more closely related.

Leonardo accomplishes this with an amazing visual trick. He paints the bodies of Peter and Judas in such a way that Peter, who occupies the fourth seat, ends up as head number 5, and Judas in the fifth seat ends up as head number 4!

Leonardo crosses the two bodies of Peter and Judas; two so 'diametrically opposed' followers as we might say. One is craning forward towards Jesus while the other is leaning away from him and not reacting at all.

This results in lowering Peter's head, so John in turn has to lean down towards Peter to listen to him.

In addition, John's leaning to hear Peter above the hubbub caused by Jesus's prediction, stops John blocking the viewer's sight of the first window. This serves Leonardo well because he did not want a mirror image of the two outside windows, and he intended to block the right hand one. The leaning of John clears the view to see the Tuscan countryside 'beyond', and this stops the extended room from becoming claustrophobic.

The 'V' of the composition that Dan Brown claims is so important is caused simply by Leonardo's solutions to these many demands.

Basically it is John's leaning to listen to the leaning Peter that creates the 'V' gap between Jesus and the second trio of Apostles. (There is a notable, but flatter, 'V-gap' between the third and fourth groups of Apostles.)

While Brown emphasises the 'V-space' of what is not there, I expect Leonardo would stress the importance of what is there in the two side-by-side triangles that create the empty 'V': Jesus on the right, and the figures of Judas, Peter and John on the left. The meaning of the painting, what is happening and why, is almost all indicated by Jesus and the Judas-Peter-John group.

On the right side of the mural there is less happening, but just as Leonardo used the line of the left-hand far corner of the room to point us to Peter, so he uses the right hand corner to point us to Philip. Leonardo uses other means to draw our attention to him. He is the only one in bright red on the right hand side, and he is the highest figure in the composition - the most 'up' member of the most 'up' group.

His impressive stance, with both hands on his heart, is the traditional - and obvious - one to indicate penitence and sorrow. Philip is the focus of the question that struck the hearts of all present (except Judas): 'Is it I?' (To use the old and more familiar translation).

Leonardo goes well towards capturing the sheer anguish that must have laid behind the terrible question. It is well to be reminded that Judas committed suicide after his betrayal of Jesus - such was the weight of the dreadful deed. When Jesus declared that someone would betray him - that potential weight fell on all of them. This is the moment that Leonardo depicts - immediately before the answer is given - and why there is such consternation portrayed among the Apostles.


Is this a dagger... ?
There is a further detail regarding Peter.
Judas, Peter and John

In the same Gospel account we read how Jesus and the disciples left and went to the Garden they knew well (Gethsemane). There Judas arrived with armed soldiers and police. Jesus, with Judas by him, steps forward three times to declare that he is the one they are looking for. Finally he says:

'I told you that I am he. So if you are looking for me, let these men go.'...

Then Simon Peter, who had a sword, drew it,
struck the high priest's slave,
and cut off his right ear.
The slave's name was Malchus.

Jesus said to Peter,
'Put your sword back into its sheath...'


It is probably Peter's impetuosity and eagerness to fight for Jesus that led Leonardo to place a knife in Peter's right hand. In size it is ambiguously both a large knife and a short sword. It would also, perhaps, strengthen Peter's identity for the regular monastic diners for whom the picture was painted, and who would know - almost by heart - the Gospel accounts. The friars' greater familiarity with the Gospel text would enable them to make links instantly that most of us Christians nowadays would only manage to make more slowly!

Readers must realise that the painting is now in a safe but terrible condition.
The patchiness of the surviving paint-work makes it look nowadays as if the knife might not be held by Peter but by a disembodied arm! - as Dan Brown believes. In fact Peter's right wrist is doubled-back on his hip. Leonardo's preparatory drawing for the arm is in Windsor and shows the sharply bent wrist clearly. I have just replicated Peter's arm in front of a mirror while holding a bread-knife! Leonardo is accurate as always. There's no need for any 'third arm' theory!

The knife is apparent just behind Judas's back, but it is safely pointing away from him. Although not a very 'natural' position it is difficult to see in what other way Peter could plausibly have held it and have made it visible to the viewers.

(However, the knife inadvertently points rather threateningly to Apostle number 3 in the adjoining group! At first sight his two hands may be raised in horror at Jesus's prediction of his betrayal. However his lowered eyelids suggest to me that he may have just looked down and reacted in horror at the knife - the blade of which appears all-too-close to his stomach as Peter suddenly lurches forward to speak to John. It is only a possibility, and is of no importance.)

Dan Brown sees Peter thrusting the edge of his hand blade-like across St. Mary Magdalene's neck as an expression of his jealousy that Mary would become the leader of the Church, as described in the Apocryphal Gospel of Mary Magdalene

Saturday 28 December 2013

Feast of the Holy Family. Sunday in the Octave of the Nativity

Christmas: December 29th

Feast of the Holy Family

 
December 29, Feast of the Holy Family
Today is the feast day of the Holy Family, but also every family's feast day, since the Holy Family is the patron and model of all Christian families. Today should be a huge family feast, since it is devoted entirely to the Holy Family as a model for the Christian family life. As Rev. Edward Sutfin states:
"The children must learn to see in their father the foster-father St. Joseph, and the Blessed Mother as the perfect model for their own mother. The lesson to be learned is both practical and theoretical, in that the children must learn how to obey and to love their parents in thought, word and action, just as Christ was obedient to Mary and Joseph. Helping mother in the kitchen and in the house work, and helping father in his odd jobs about the home thus take on a new significance by being performed in a Christ-like spirit." (True Christmas Spirit, ©1955, St. Meinrad Archabbey, Inc.)
Commentary of the day : 
  
Pope Francis 
Encyclical « Lumen fidei / The Light of faith »,     §52-53 (trans. © Libreria Editrice Vaticana) 



Faith and the journey of the family

Faith and the family: In Abraham’s journey towards the future city (Heb 11,10), the Letter to the Hebrews mentions the blessing which was passed on from fathers to sons (Heb 11:20-21). The first setting in which faith enlightens the human city is the family. I think first and foremost of the stable union of man and woman in marriage. This union is born of their love, as a sign and presence of God’s own love... Grounded in this love, a man and a woman can promise each other mutual love in a gesture which engages their entire lives and mirrors many features of faith. Promising love for ever is possible when we perceive a plan bigger than our own ideas and undertakings, a plan which sustains us and enables us to surrender our future entirely to the one we love. Faith also helps us to grasp in all its depth and richness the begetting of children, as a sign of the love of the Creator who entrusts us with the mystery of a new person. So it was that Sarah, by faith, became a mother, for she trusted in God’s fidelity to his promise (Heb 11:11).
In the family, faith accompanies every age of life, beginning with childhood: children learn to trust in the love of their parents. This is why it is so important that within their families parents encourage shared expressions of faith which can help children gradually to mature in their own faith. Young people in particular, who are going through a period in their lives which is so complex, rich and important for their faith, ought to feel the constant closeness and support of their families and the Church in their journey of faith.

This is what St Bernard of Clairvaux said in this regard, ‘God, to whom angels submit themselves and who principalities and powers obey, was subject to Mary; and not only to Mary but Joseph also for Mary’s sake [….]. God obeyed a human creature; this is humility without precedent. A human creature commands God; it is sublime beyond measure.’ (First Homily on the ‘Missus Est’).

Thursday 26 December 2013

The 12 Days of Christmas

Christmas: December 27th

Feast of St. John, apostle and evangelist

 
December 27, Feast of Saint John
St. John was born in Bethsaida, and like his brother James, was a fisherman. He was called while mending his nets to follow Jesus. He became the beloved disciple of Jesus. He wrote the fourth Gospel, three Epistles and the Apocalypse. His passages on the pre-existence of the Word, who by His Incarnation became the light of the world and life of our souls, are among the finest of the New Testament.
He is the evangelist of the divinity of Christ and His fraternal love. With James, his brother and Simon Peter, he was one of the witnesses of the Transfiguration. At the Last Supper, he leans on the Master's breast. At the foot of the cross, Jesus entrusts His Mother to his care. John's pure life kept him very close to Jesus and Mary. In years to come John was exiled to the island of Patmos under Emperor Domitian, but lived to an old age. — From the Daily Roman Missal.  
CatholicCulture.org 

Monday 23 December 2013

Christmas Midnight Holy Gospel of Jesus Christ according to Saint Luke 2:1-14.

Tuesday, 24 December 2013
Refectory entrance

The Nativity of the Lord (Christmas), Mass at Midnight - Solemnity
Is 9:1-6. / Ps 96(95):1-2a.2b-3.11-12.13. / Titus 2:11-14. / Lk 2:1-14. 
Tonight: Nativity of the Lord (Christmas), solemnity 
"Jesusmeek and humble of heart, make my heart like unto thine.

Tuesday, 24 December 2013

The Nativity of the Lord (Christmas), Mass at Midnight - Solemnity

Feast of the Church : Tonight: Nativity of the Lord (Christmas), solemnity
Saint(s) of the day : St. Sharbel Makhluf, Priest (1828-1898)St. Delphinus, Bishop († 403) 
Holy Gospel of Jesus Christ according to Saint Luke 2:1-14.
... For today in the city of David a savior has been born for you who is Messiah and Lord. ...
See commentary below:
Saint Raphael Arnaiz Baron : 
Saint Raphael Arnaiz Baron (1911-1938), a Spanish Trappist monk 
Spiritual writings, 27/12/1936 (trans. Mairin Mitchell, 1964) 
"Behold, I proclaim to you good news of great joy that will be for all the people"

It is cold on earth. The skies are pattered with stars whose existence can only be guessed on the background of the dark blue of the celestial vault. On earth, one of the smallest planets in the vast sidereal systems, wonders are taking place this night which fill the angels with awe...: a God who for love of man descends in the humility of mortal flesh, born of a woman on one of the smallest planets, one of the coldest-born on earth...

It is cold! Men are cold in their hearts too. No one attends to witness the miracle of the birth of God. The whole world is simply reduced to a woman who is called Mary, a man with blue eyes called Joseph, and a new-born Child, who, wrapped in swaddling clothes, opens his eyes for the first time between the breathing of an ass and an ox, and is cradled in the handful of straw which Joseph in his poverty and Mary in her solicitude and love have procured for Him. The whole world sleeps unconsciously the nightmare of the flesh. It is very cold this night in the lands of Judea. The stars which pattern the sky are the eyes of the angels singing "Glory to God in the highest ", singing directed to God and heard by some shepherds keeping watch over their flocks, and who with their childlike souls come to worship the newborn Jesus. It is the first lesson of the love of God...

Though my soul has neither the chastity of Joseph nor the love of Mary, I offered the Lord my complete poverty and my naked soul. And if I didn't praise him with hymns like the angels, I tried to sing Him shepherd's ballads, the song of the poor man, of him who has nothing, the song of him who has only miseries and weaknesses to offer to God. But never mind, for the miseries and weaknesses offered to Jesus by a heart that really loves Him, are accepted by Him as though they were virtues. Great, boundless, is the mercy of God! My mortal flesh doesn't hear the praises of Heaven, but my soul divines that today, as then, the angels look down in wonder at the earth, and sing "Glory to God in the highest, and on earth peace to men of good will."


Thursday 27 December 2012

Feast of the Holy Innocents - On the fourth day of Christmas my true love gave to me, four calling birds.

Previous Blogspot: Vivid location associations of The Innocents and Saint Cuthbert.

04 Sep 2012
Channelkirk - Childrens Kirk dedicated to the Innocents. Church history. Lauderdale's oldest church. The church at Channel kirk, the oldest one in Lauderdale, was founded between the 7th and 9th Centuries.






Christmas: December 28th

Feast of the Holy Innocents

Feast of the Holy Innocents: December 28
After the feast of the martyr and the virgin apostle we celebrate the feast of the infant martyrs. Also called Childermas, or Innocents' Day festival celebrated in the Christian churches in the West on December 28 and in the Eastern churches on December 29.

In the event, King Herod the Great ordered the execution of all young male children in the village of Bethlehem, so as to avoid the loss of his throne to a newborn "King of the Jews", whose birth had been related to him by magi. He was called Herod “the Great,” king of Judea, but was unpopular with his people because of his connections with the Romans and his religious indifference.

Only because Joseph had been warned by a dream that this would happen and accordingly fled with his wife and Jesus to Egypt was the Savior spared (Matt. 2:13-15). The other innocent children were put to the sword. This is one of the seven sorrows of Mary: to realize the hatred others would have of her Son and Lord; to understand that saving her own baby led to the death of others.

Our Christmas joy is tempered today by a feeling of sadness. But the Church looks principally to the glory of the children, of these innocent victims, whom she shows us in heaven following the Lamb wherever He goes.


Daily Readings for:December 28, 2012
(Readings on USCCB website)

Collect: O God, whom the Holy Innocents confessed and proclaimed on this day, not by speaking but by dying, grant, we pray, that the faith in your which we confess with our lips may also speak through our manner of life. Pour forth, we beseech you, O Lord, your grace into our hearts, that we, to whom the Incarnation of Christ your Son was made known by the message of an Angel, may by his Passion and Cross be brought to the glory of his Resurrection. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever.

    12 Days of Christmas.

    When most people hear "The 12 Days of Christmas," they think of the song. This song had its origins as a teaching tool to instruct young people in the meaning and content of the Christian faith.

    1. On the First Day of Christmas: A Partridge in a Pear Tree

    "...my true love gave to me..." The "true love" represents God and the "me" who receives these presents is the Christian. The "Partridge in a pear tree" was Jesus Christ who dies on a tree as a gift from God.

    2. Second Day of Christmas: 2 Turtle Doves

    The Old and New Testaments.

    3. Third Day of Christmas: 3 French Hens

    Faith, Hope and Charity.

    4. Fourth Day of Christmas: 4 Calling Birds

    The Four Gospels and/or the Four Evangelists.

    5. Fifth Day of Christmas: 5 Golden Rings

    The first Five Books of the Old Testament.

    6. Sixth Day of Christmas: 6 Geese A Laying

    The Six days of creation.

    7. Seventh Day of Christmas: 7 Swans A Swimming

    The seven gifts of the Holy Spirit.

    8. Eighth Day of Christmas: 8 Maids Milking

    The eight Beatitudes.
    4 Calling Birds = the Four Gospels and/or the Four Evangelists

Four Calling Birds

by FR. CHRISTIAN MATHIS on DECEMBER 29, 2011
On the fourth day of Christmas my true love gave to me, four calling birds.
Continuing on our journey through The Twelve Days of Christmas, we come to the gift of four calling birds, or in the Christian world what we refer to as the four Gospels. Just as the angels announced to the shepherds the good news of the birth of Christ, the four evangelists announced the same to the world through their preaching and writing. Though all four proclaim the same Gospel, each of them does so with an emphasis on a particular aspect of the mystery of the Incarnation.
The symbol of Matthew’s Gospel is a man, which reminds us of his emphasis on Christ’s humanity. The essence of the Incarnation is that God becomes man without the loss of his divinity. Matthew also links Jesus again and again to Moses and the story of the Exodus.
The symbol of Mark’s Gospel is a lion, which can be seen as a symbol of Christ as king. Mark’s Gospel also begins with a description of John the Baptist, the voice crying out in the wilderness to prepare the way of the Lord. John comes onto the scene like a roaring lion, proclaiming the coming of the messiah. The symbol of the lion is often associated with courage and ought to remind Christians to have the same sort of courage John the Baptist had when living our faith.
The symbol of Luke’s Gospel is a bull, which recalls the sacrifices made by the priests of the old covenant. Luke’s Gospel reminds Christians that Christ himself is the sacrifice of the new covenant. His death on the cross is the final and perpetual sacrifice that opens for us the way to salvation. We as Christians are called to unite ourselves Christ in daily sacrifice.
The symbol of John’s Gospel is the eagle. John’s Gospel begins with a description of the eternal Word of God and in many ways has been seen to soar high above the earth in the theology presented. The eagle can be seen to represent Christ’s divinity. This symbol should remind Christians to keep their eyes fixed upward toward heaven.
Perhaps a good way to continue the celebration of Christmas today is to read from your favorite Gospel. My favorite one is Mark, whose writing reminds me of an action thriller. Which is your favorite?

Saint John's Apocalypse – a poetic exegesis Fr. Edward OP

Frontispiece, Bible of
San Paolo fuori le Mura
 , 9th century.




--SAINT JOHN 
Apostle and Evangelist
(† c. 100)
Feast


Dear Fr. Edward,
Thank you for composing "Some lines four years old, and it is the Feast of Saint John tomorrow."
Treasures in the Christmas Octave.
The visions test to our contemplation of Apocalypse.
The Father loves the Son and at the Manger mind goes to Joseph, father, love the Son.
Yours, Donald
- 
----- Forwarded Message -----
From: edward ...
To: Donald Nunraw ...
Sent: Wednesday, 26 December 2012, 23:48
Subject: On John Apocalypse and Gospel

Dear Father Donald,
I was looking out this composition of four years ago. It appears in my
lists under two titles and I cannot remember why. I shall read parts
of it to the Sisters in the morning as a homily. ...
One would expect the apocalypse John to think differently from the Gospel and epistles John. He was trying to catch a fugitive vision and be accurate. But with the gospel he was drawing on thirty years' more
contemplations, drawing on personal memories..
O set my task of sorting out the numbered events - trumpets etc.

I leave it in your hands.

[I wrote it with overriding intention of establishing a pattern for the
Chronology of events, but although I think I achieved that, the
middle, development section (as they say in music) is too complex for
them.]

I was very tired on Tuesday, but I revive!
I hope all goes well, despite the unwelcome bad weather!
Blessings in Domino - to think of what we born into ...
fr Edward O.P.
Father Edward Booth O.P.
Austurgata 7,
IS-340 Stykkishólmur,
Iceland.
  

Saint John's Apocalypse – a poetic exegesis

When revelation comes
what is revealed is anticipated as different.
So with apocalyptic
and with John.

A world of terror and consolation
inrupted Patmos with its grapes and olives.
Higher still a door opened
more than once
to reveal transcendent worship.
The vision passed between the terrors
and their threat, and the worship of earth
with the plight of the faithful seen in movement
but secure.

The Chief Pastor gave his letters
to the Asian churches
bereft of John as Pastor,
seeking heroic service.

Those animals:
the lion-like, the bull-like,
the human-faced, the eagle-like,
joined in worship with the twenty-four elders,
suffused with praise outpoured.
Not angelic, but seen by Ezekiel
at Babylon:
so many parallels here
with the Word.
Unearthy, but thereby bonding heaven and earth
in full responsive tension.

The scroll-book:
its seals breakable,
itself openable only by the Lamb:
music of harps
and bowls of prayer-incense.
Then angels in thousands,
with all creation worshipping
the Lamb.

He broke the seals one by one,
at each the animals cried 'Come!'
A white horse with rider,
bow-wielding,
crowned for victory after victory.
A red horse, its rider with a sword,
set to end peace on earth
and start mutual slaughter.
A black horse, its rider
holding scales
to measure corn and barley
not oil or wine.
The fourth was deathly pale,
its rider Plague,
and Hades followed.
They all to kill
a quarter of the earth
by sword, famine, plague, wild beasts.
The broken fifth revealed
the martyrs crying for vengeance.
The sixth broken,
came an earthquake:
the sun turned black,
the moon blooded,
the stars fell like figs
dropping in a wind.
An angel poised
to devastate the land and sea
until the elect of Israel are sealed,
with them the persecuted from the nations.

Why charged with this destruction?
To dislodge and reveal
the others' hidden sins and tendencies
to define election and success.
All must out
to make all new.

The seventh broken,
a silence followed.
Seven trumpets for seven angels.
An eight came to the altar:
first offered incense with the prayers of saints.
Then filled the censer with fire
and cast it on the earth.

The seven each trumpeted a rising call
At the first, a fire struck the earth
burning a third, a third of trees
and every blade of grass.
The second:
then as if a  flaming mountain
dropped in the sea;
the sea turned blood,
a third its living content dead,
a third its ships destroyed.
The third:
like a ball of fire
a star fell in the sea:
a wormwood star
making the water wormwood
and undrinkable.
The fourth:
a third of the  sun, the moon, the stars
were blasted:
no light by day or night.

A circling eagle cried:
'Trouble for all peoples
from the three trumpet blows
that remain!'

The fifth:
a star fell opening up the Abyss.
Locusts fell from the smoke
with scorpions stings,
to attack the unsealed
and injure five months long,
making men long for death,
armoured for battle, crowned,
with women's hair.
Their wings        
sounded like battle chariots.

The sixth trumpeter was commanded
from the altar to release
four angels chained at the Euphrates, and
with their army of
ten thousand times ten thousand
to destroy
a third the human race;
flame-coloured breast-plates,
the horses lion-headed
exhaling plagues
fire, smoke and sulphur.
Power also in
their snake-like tails.

The human survivors,
unmoved, kept to their idol worship,
nor ceased their murders, sorceries,
theft and fornications.

A further angel,
straddling sea and land,
roared like a lion,
a scroll in hand.
'The waiting time is passed.'
To John:
'Eat this scroll!'
As with Ezekiel:
sweet in the mouth,
but unlike, sour in the stomach.
“Now you can prophesy!”
And, as with Ezekiel,
'Measure the Temple,
the people, but not the outer court.
Two will there prophesy,
but the Abyss will rise and kill them.'
The world was glad – their preaching
pleased them not.
But God enlivened them by his Spirit
(here an Ezekiel parallel with dead bones),
they rose cloud-born to heaven.
Then came an earthquake;
seven thousand dead;
those surviving praised God.

All, the second trouble.

The seventh trumpet blew.
Heavenly voices gave a meaning
to all this stirring, all this killing.
'The Kingdom of the world
has become the Kingdom
of Our Lord and his Christ!'
The elders worshipped:
'Give thanks to He-is-and-He-was
for his power and his reign.
The nations showed their anger;
now God shows his own.
A time for judgement and reward;
destroy those who destroy the earth!'

The Sanctuary appeared again,
inside the acacia Ark
made by Moses to contain the Law re-written
as covenant.

So heaven showed that covenant
ratified as holy, timeless,
the setting for salvation:
not peered at in hope
but realist.

Then lightnings, thunder, earthquake and hail:
a earthly share of a cosmic scourge
dislodged by sanctity.
Then two great signs:
first 'a Woman'.
And the dragon which Daniel saw
twice in derived form in Babylon,
and expounded to Cyrus;
this its reality.
Then Satan, lurking alive:
cause of the world's woes,
now dislodged,
his refuge left behind.
The Woman came first.
Triumphant over sun and moon,
glorified by twelve stars.
Heavenly, so 'her earthly course ended'
yet with the pangs of earthly childbirth.
A Boy was born,
destined to rule all nations;
taken straight to the single Throne of Heaven
to validate his divinity.
Bereft of the woman
escaped into a pagan desert,
home of Artemis-Diana,
looked after by John.
Accessing heaven, the Satan-dragon
continued to fight,
and be cast down to earth.

A heavenly voice cried
'Victory to God and his Christ!',
bought by the Lamb's blood
and the martyrs' witness.'
Heaven will rejoice,
but trouble comes to earth and to sea.

The Satan-serpent pursued the Woman,
vomiting a river of water;
the earth swallowed it up.
Immaculate impugnability and her heavenly state
made her secure on the earth
whilst he menaced her children.

John saw re-rehearsed
the vision of Daniel:
Babylon its setting,
but serving to bolster spirits
against Greek Antiochus.

                         His Beast is one;
Daniel's were four.
All came from the sea,
emerged out of its secrecy
and now as real.
Not dormant,
for their power underlay
all earthly woes.
Their horns of power,
multiple to menace,
              with eyes all-seeing
              like the eyes of insects.
   All-seeing, but no cause of unity;
   still growing, sprouting,
   unlike the single horn of salvation
   claimed by Zachary for Yahweh.
   The ultimate dislodgement,
   discerned by John as one.      
              Daniel´s beasts
-                      must be eternalised,
              real, accessible.
The cadre of the ancient Covenant
is the single cadre from which
salvation comes,
now hyper-semitic.
Daniel intermits
a vision of
the Ancient of Days, with
the 'coming of the Son of Man'
with universal sovereignty.
Then four kings from the earth,
the final first stronger than the Saints,
then overthrown.
Two beasts, smaller in power,
not smaller in contempt:
a he-goat, King of Javan [= Greece],
to subdue a ram
with horns of Medes and Persians.
Gabriel explained this vision to Daniel
as he explained to Mary her vocation.
Then Gabriel explained the span
of seventy weeks for salvation
(fulfilled between Zachary's encounter with him
and Jesus' presentation, Mary's purification,
in the Temple).
He prophesied Antiochus Epiphanus,
his Temple-profanation,
and foresaw his doom.
Michael brought his victories too:
distress unparalleled to come,
but limited in time.

Like those four beasts of Daniel,
John's rose from the sea;
not seen before as such
but underlying all earthly evil.
Seven-headed (one once wounded and then healed)
ten horns brazen with blasphemous titles.
Leopard-like, paws bear-like,
its mouth lion-like.
The Satan-dragon gave him
its throne, its power and authority.
The whole world marvelled,
followed it boasting and blaspheming
against God,
allowed to wreak its power
against God and over the Saints.
The world gave worship;
the Saints had constancy and faith.
A minor beast came from the earth,
two lamb-like horns,
dragon-like in noise;
serving the first
and prophesying falsely,
making its statue
inbrearthing it with life;
slaying those who would not worship,
branding all with '666',
excluding the rest from trade.

Then on Mount Zion, the Lamb
with twelve times twelve thousand
signed with the Father's name, all harpists
like the ocean's sound
or roar of thunder.
Virginal, first fruits of God,
always Lamb-followers.

Another angel
announcing the gospel of eternity:
'Fear God, praise him:
he comes in judgement.'
(So Michael to Daniel:
'Through distress
the dead shall rise:
some to life for ever,
some to shame and disgrace.
The learned, those who taught virtue,
bright as eternal stars.')
A second cries '(The) Babylon (of Rome)
has fallen,
which gave the world God's anger-wine.'

A third: 'The worshipper of beast and statue,
those branded '666'.
will drink God's fury-wine
in's anger-cup.
Their torture-smoke
will rise for ever.'
But, 'Happy those who die in the Lord.'

One 'like a son of man' cried
'with your sharp sickle
reap the ripe harvest of (the pagan) earth.'
An angel joined the reaper
sickling the vines of earth,
'cut its branches, all its grapes are ripe.'
The grapes were piled
in the winepress of God's anger,
trodden until blood poured out,
horse-bridle high,
for sixteen thousand furlongs.

Some angels brought the last plagues of all,
exhausting God's anger.

Meanwhile, standing beside 'a glass sea
suffused with fire',
the victors over the beast, his statue
and his number-name:
all with harps, singing
the song of Moses and the Lamb,
'How good and wonderful are your works ...
You alone are Holy,
and all the peoples will worship you.'

Now, enshrined in heaven,
the Tent of the Testament was opened.
The four animals from the beginning,
true mediators between heaven and earth,
gave to each of seven angels
a bowl of God's anger
to pour down,
to accomplish the purging of men and earth.
The first on earth, on beast-branded men;
the second on sea,
making it blood, killing all within;
a third turned rivers and springs to blood;
a fourth on the sun to scorch,
though men did not repent for God but cursed;
a fifth on the beast making his whole empire dark,
and here again men cursed;
a sixth dried the Euphrates for Eastern kings to pass.
Demon spirits came from the mouths
of Satan-dragon, beast and false prophet,
performing miracles,
calling the world's kings to war on God
at Armageddon,
but he will come like a thief.
A seventh poured his bowl on the air.
A voice from heaven: 'The end has come'.
Lightnings, thunder, violentest ever earthquakes.
Cities drank this anger and exploded.
All islands, mountains vanished.
The worst was hailstones, each a talent-weight,
falling from the sky:
men cursed it.

For (Rome-)Babylon
a special end:
a prostitute to all earth's kings
An angel took John to a desert
to see its end to come.
The mother of all prostitutes and their filth,
purple- and scarlet-clad,
her gold, jewels, pearls a-glitter,
riding a scarlet beast:
seven-headed,
ten-horned with blasphemous titles.
Drunk with martyrs' blood,
holding her luring, filth-filled cup.
'That beast', the angel said,
'will rise from the Abyss:
now is not, yet still to come.'
Seven heads are seven hills, seven emperors,
ten horns ten kings.
They plot a war against the Lamb,
to be defeated by his chosen faithful.
Her 'abundant waters': all peoples, nations, languages.
But horns and beasts will turn against her,
leave her naked,
eat her flesh,
burn her remains.
God contrived the whole conflict
for their destruction.

Cries come from heaven,
'Babylon is fallen!'
Another: 'Leave her to her plagues':
every orgy will be matched
by a torture or a grief.

Yet, from a safe distance
she is mourned by some;
for her merchants
no more fortune-profit.

Another angel:
'she will end
like a great millstone
cast into the sea.
In her the blood of saints and prophets,
all blood ever shed.'

The process continues:
a chain of anticipations and fulfilments.

Animals and elders sing always 'Alleluia';
they know no other song.

The Bride awaits the Lamb,
but yet it waits as prophesy.

A white horse appears
ridden by 'Faithful and True'.
An angel calls the birds to eat the fallen flesh.
Beast and all kings fight the rider
and his army;
beast and false prophet
are made prisoners:
thrown in a fiery lake of burning sulphur.
Their host is slain by the rider's sword
come from his mouth;
the birds are gorged with flesh.

An angel chains the Satan-dragon
in the abyss's depths.
There for a thousand years;
then brief released.

Martyrs resurrected take their thrones
to judge the world:
the first resurrection.

Then Satan-dragon comes forth
with Ezekiel's Gog and Magog,
prepares for war
against the saints,
so loved by God.
All consumed by fire from heaven!
Satan's thrown with beast and false prophet
into the eternal torture of the
lake of fire and sulphur.

The process: long,
oscillating by need,
but sure.

God, enthroned in power;
earth and sky vanish:
no trace left.
The dead stand before him,
are judged by the all-certain
record-book,
The sea gives up its dead.
Death and Hades are emptied,
thrown into the lake
with those rejected
by the Book of Life.

New Heaven and New Earth,
the old has disappeared;
there's no more sea.

A new Jerusalem descends from heaven;
God living among men;
married by the Lamb:
a jewel of diamond crystal-clear.

High walls; twelve gates,
three on each side,
at each an angel.
Named from the tribes,
but hyper-semitic:
the old is cadre for the perfect new.
Twelve foundation stones
named from the Lamb's apostles.
Perfectly ordered,
built from precious stones.
No Temple!
The Lord and the Lamb themselves
the Temple.
No light,
but the radiant glory of God.
The nations will come there
As with Ezekiel,
but from throne not Temple,
water flows crystal-clear
down the middle of the city street,
promoting trees cropping
twelve times a year,
their leaves to cure the pagans.

The servants of God will worship there,
face to face with him.


John wrote what he saw,
not in ecstasy
and unlike Daniel bearing all:
not as a secret,
but to be told.


                                                            28-29 December 2008
                                                            Stykkishólmur