Sunday 11 November 2012

COMMENT: The Imitation, Ronald Knox and Balthasar.



Having seen Hans Urs Von Balthasar's, 'The Heart of the World', likened with Thomas a'Kempis, I wonder.
The literary critique came be seen in the Preface of Ronald Knox, specifically in his Preface of the Imitation.

"A work without frills-until you reach the fourth book, which is purely a manual for the Communicant, it contains curiously little in the way of theology. The very existence of the Holy Spirit is only recognized, for example, in one or two stray allusions. You can feel the influence of a reaction against the over-subtle speculations of the later medieval theologians; those masters who are more concerned to know than to live well (Bk. I, ch. 3), whose arguments will be silenced when Jerusalem is searched with lamps (Bk Ill, ch. 43)." Ronald Knox

The Imitation of Christ by Thomas a’Kempis,
trns. Ronald Knox .
PREFACE
How many books are there whose titles you can clip till they only contain one effective word, and yet be understood by all educated people? The Apologia is one, there is Butler's Analogy, and Paley's Evidences, but you will not find many names to match them: nobody talks of the Anatomy of Melancholy as the Anatomy, or of the Origin of Species as the Origin. Such tests are tiny reflectors that give back the glow of fame; and no book passes this test so well as the Imitation. Among Catholics at least it is the only book which is mentioned in the same breath with the Bible; among the non-Catholics of yesterday the Pilgrim's Progress ("the Pilgrim" for short) was so bracketed. Yet, like other spiritual classics, the Cloud of Unknow­ing, for example, or the Whole Duty of Man, it has created problems of authorship. And the reader has a right to expect, here, a dissertation upon the Dutchman, Groote, who is said to have written the first book as it stands, and the degree of recension to which Thomas a Kempis submitted the second and third: with more information about the circumstances in which the work was composed, and the form of it. But this must be omitted, since I am writing away from books-not, however, away from the Imitation; it has only once, I think, escaped the packer's eye since I received the sub diaconate. "Do not ask," says Bk. I, eh. 5, "who said this, but listen to what is said". There are no frills about the Imitation.
[Footnote}This was Mgr. Knox's contribution to "The Catholic Classics" series in The Tablet and was first published in the issue of April 20th  1940. It was written many years before he started to translate the Imitation and the quotations from the Imitation which appear in it are rendered differently in the present work.

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My aim is to seize upon the characteristic method and effect of the book, and I am not sure that this aim has not been already realized when I have said that there are no frills about the Imitation. It has the frill-lessness of Euclid and the Athanasian Creed. Where the first book is concerned, you may say that even to the style. "Sometimes we think that others are fond of our company when in fact it is beginning to disgust them, from the worthlessness of the character they see in us" (Bk. I, eh. 8): how could you administer in less words a cold douche to a man who has spent the evening with friends? "If you cannot make yourself the man you want to be, how can you expect other people to come up to your specifications?" (Bk. I, eh. 16): "if you bother so little about yourself while you are alive, who is going to bother about you when you are dead?" (Bk. I, eh. 23)-these are barbs which get beneath the skin of the toughest among us; and yet how quietly they are shot.
It has been commonly observed that the first book is concerned almost entirely with the reformation of character, and a good deal of it might have been drawn from heathen moralists-in one place, indeed, Seneca is quoted. But if it . was the author's intention to confine himself to the elements of asceticism, he has certainly outrun his intention; as in the eleventh chapter, where he writes: "If we were thoroughly dead to ourselves, and free from attachments within, we should be able to relish divine things and have some experience of heavenly contemplation". He is already impatient for the illuminative way, and by the first chapter of Book II he is well into it. Detachment, the conversion of the regard inwards, the welcoming of mortifications with and for Christ, are ideals taken for granted. The Imitation, wide as is its use outside the cloister, and indeed outside the Church, was
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meant for religious in the first instance, and the author makes no apology for thus suddenly keying us up to concert pitch. The rest of Book II is, and is meant to be, "stripping"; we are not to be content with moral suasions, or treat our own peace of mind as the ideal to be aimed at; we are concerned with nothing less than the establishment of Christ's reign in us. If we are ready to give up having our own way, that is no longer because "it is necessary sometimes to relinquish our own opinion, for the sake of peace" (Bk. I, eh. 9), but because "you are not to think you have made any progress until you feel that you are everybody's inferior" (Bk. II, eh. 2). If we avoid gossip, it is no longer because "we rarely return to silence, without finding that we have soiled our consciences" (Bk. I, eh. 10), but because "you will never know interior devotion, until you hold your tongue about what concerns others, and turn back upon yourself" (Bk. II, ch. 5). And learning is to be distrusted as inadequate, not because "he is truly learned, who leaves his own will and does the will of God" (Bk. I, ch. 3), but because "one thing is still wanting ... that a man should leave all, and leave himself, and go out of himself altogether, and keep nothing for himself of self-love" (Bk. II, eh. 11). We have embarked on an inner circle of spiritual ideas, and no rest is given us. The clerical "we", which softened the effects of Book I, almost disappears in Book II; the author button-holes you with a persistent "thou", and brings every consideration grimly home to you.
So Book II leads us up to that amazingly uncomfortable last chapter, in which the reader feels as if he were being turned over and over on a spit, to make sure that he is being singed with suffering at every point. If a man tells you that he is fond of the Imitation, view him with sudden suspicion; he is either a dabbler or a
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saint. No manual is more pitiless in its exposition of the Christian ideal, less careful to administer consolation by the way. But now, when we feel we have been bullied into the illuminative way, is the stripping part all over? Is the third book to be a collection of maxims illustrating the unitive way, and its glimpses of fruition ? Dr. Bigg, in his introduction, writes as if it were: it tells, he says, "of the presence of Christ in the soul, of life in the spirit, of the mystic vision, as cl Kempis understood it". This judgement seems to be founded on one or two passages in the third book, rather than on the book as a whole. The twenty-first chapter, that begins with a beating of the wings as the soul aspires towards God, and culminates in the sudden "Ecce adsum" of the Divine Lover's intervention, leaves asceticism behind and breathes pure mysticism; but it stands almost alone. The dialogue from of the book—it consists entirely of conversations between Christ and the soul—suggests that it is the r 'fruit of a’Kempis' own contemplations; and perhaps the absence of scheme about it can be explained best if we suppose that he simply wrote these down as they came to him in the order of time. But the subjects treated are, for the most part, still in the ascetic sphere; or at best they are consolations addressed to the soul in the dark night which comes before the way of union. It is not in any sense a mystical treatise; [1] the fifty-sixth chapter is still urging us towards the way of the Cross. The writer is still coaxing us onwards; he does not try to take our breath away.
A work without frills-until you reach the fourth book, which is purely a manual for the Communicant, it contains curiously little in the way of theology. The
[Footnote] It is perhaps only fair to state that Mgr. Knox's view of the Imitation as "not in any sense a mystical treatise" is not shared by all writers on the mysticallife.-M. O.

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very existence of the Holy Spirit is only recognized, for example, in one or two stray allusions. You can feel the influence of a reaction against the over-subtle speculations of the later medieval theologians; those masters who are more concerned to know than to live well (Bk. I, ch. 3), whose arguments will be silenced when Jerusalem is searched with lamps (Bk Ill, ch. 43). A book without frills—was there ever a spiritual author who told us less of his private experiences? It was he, presumably, who felt anxiety about his final perseverance, and was told to act as he would act if he were certain of it (Bk. I, eh. 25); that is the only echo of autobiography. The whole work was meant to be, surely, what it is—sustained irritant which will preserve us, if it is read faithfully, from sinking back into relaxation: from self-conceit, self-pity, self-love. It offers consolation here and there, but always at the price of fresh exertion, of keeping your head pointing up-stream. Heaven help us if we find easy reading in The Imitation of Christ.
R. A. KNOX



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