Bruno, A Witness of the Absolute

COMMENT:  Bruno and Thomas M...
  The personal style of St. Bruno in letters of contemplation in life. Thomas Merton is the journalistic talent and prolific writings. It still awaits for me to browse the Letters of Merton.

St. Bruno's Family: A Life Free From Care – Thomas Merton: ( In August 1965, Thomas Merton was granted permission to live full-time in his hermitage. This is an excerpt from the last talk he gave to ...


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A Witness of the Absolute

_______ Pierre-Marie Dumont         ____________

Front Cover Artwork

Monday, 6 October 2014

Saint Bruno Saint of the day: 6th October

By courtesy of MAGNIFICAT.com   

A Witness of the Absolute

_______ Pierre-Marie Dumont         ____________

Front Cover Artwork

1 n 1084, Bruno decided to withdraw to the "desert", to an isolated wilderness where he might give himself up to spiritual devotions without danger of distraction from the clamour of the world. He founded a hermitage in the heart of the Chartreuse Mountains, in the Alps-the source of the name "Carthusian". adopted by the religious of his order, as well as the "charterhouses", which their monasteries came to be called. In the background, the painter Mignard depicts Brunos first six companions occupied in the various tasks of  eremitical life. In 1090, Bruno founded a second charterhouse in a "desert" of Calabria, Italy. While building work was underway, Bruno lodged in a cave. Wishing to meet him, the lord of the domain, Count Roger of Sicily, scoured the countryside for days but could find him nowhere. And so he returned with his pack of hunting dogs. One of them tracked Bruno down to his cave, in rapt contemplation of God. Mignard pictures the hound here in the foreground. Before him, we find Bruno, his whole being turned toward the divine light which floods down over him through a fissure in the rock. The rosary hanging from the saint's belt is an anachronism, a witness to the fact that this devotion, popularised by the Dominicans, was actually first conceived by the Carthusians. On the ground, in the opposite corner, a skull recalls the vanity of all human existence whose goal is not life in God. For, to a Christian, each vocation is a religious one: through faith working through love (Ga 5:6), to make of one's existence on this earth a life that endures for eternal life. But the perfection of the vocation of each member of the Church is only fully realised through the complimentarily of the gifts encompassed by the mystical Body of Christ. Thus, while some devote their lives to preaching the Gospel, while others witness to Christ's charity in service of their brethren, and still others consecrate themselves to God through a conse­cration to one another by love in marriage-certain members of the mystical Body are called to withdraw from the world to act as perpetual witnesses of the Absolute, ensuring that Christ's prayer to his Father is never extinguished from his Body. 

Saint Bruno praying in the wilderness (1638), Nicholas Migard. Calvet Museum, Avignon, France.

Artist. NICOLAS MIGNARD 1606/1668

Saint Bruno praying in the wilderness (1638)

Nicolas Mignard is anything but an isolated provincial painter. In 1635, he moved to Rome in the suite of the Ambassador of France Alphonse de Richelieu. This is former Carthusian and very attached to the figure of St. Bruno, the founder of the order. This may be to flatter his powerful protector that Mignard realizes this painting, his first masterpiece.