Thursday 20 June 2013

COMMENT:St. Therese’s poem, “GLOSE ON THE DIVINE

It was difficult search the original of the Poems of St. Therese. Fortunately, the shelves right beside us in the lower cloister display the St. Therese collection.

And, invaluable is the French version of our copy of,  Soeur Thérèse de l'Enfant-Jésus et de la Sainte Face  
In the 1960's Book bindery, Fr. Andrew succeeded binding the French style uncut pages volume. Beautifully bound in leather quarter mitred covers.

St. Therese’s poem, “GLOSE ON THE DIVINE, After St. John of the Cross”


*** below, page facsimile scan...........







Wednesday 19 June 2013

St. Therese’s poem, “GLOSE ON THE DIVINE, After St. John of the Cross”

Poems of St. Therese Of The Child Jesus: Known As The Little Flower Of Jesus. Translated By The Carmelites Of Santa Clara, Publisher: Burns Oates and Washbourne (1925)  
St. Therese’s poem, “GLOSE ON THE DIVINE After St. John of the Cross” posed some puzzlement. The English of ‘Poem of Little Flower Jesus’ brings little known vocabulary. – Glose of the Divine.
The Victorian style translation does not make the poem easy. This text is from London 1925 printing.
Further hurdle is the fact that available Online versions omit some of the poems, in particular the missing ‘Glose on the Divine, after St. John of the Cross’.
[Similarly missing the Glose on the Divine, in a French first edition 1907].
Here, St. Therese is in deeper experience with St. John of the Cross. A Link below helps the explanation.

POEMS OF LITTLE FLOWER OF JESUS

GLOSE ON THE DIVINE
After St. John of the Cross

Leaning without support, without light and in darkness,
I go to consume myself of love. " - St. John of the Cross.

To the world, with delight all-surpassing,
An eternal farewell I have said;
O'er itself wings my heart life-amassing,
From support save in God it hath fled!
And now in His light I am seeing
What is dearest where joys overbrim,
'Tis when heart, soul, and all of my heing
Lean, and know no support save in Him.

While I suffer in darkness unbroken,
Through this mortal delay of an hour,
I possess here at least one fair token,
The star of love's infinite power.
In the way, all of peril surroundeth,
But I follow, no fear can debar,
For by love, well I know life aboundeth
’Mid the shadows of exile afar.

His love as I learn every hour,
Can profit by good and by ill
That He findeth in me: O what power!
Transforming my soul at His Will.
This flame feedeth deep, nor returneth,
It pierceth my heart from above;
As with ardours of fire it burneth,
I go hence, consumed in my love.
1896.
++++++++++++++++++++++++++++++++++++

Glose (or Glosa)

The glose originated in Spain, where it is known as the glosa. It has two parts, which are normally written by different authors. 
The first part - the texte or cabeza - consists of a few lines which set the theme for the entire poem. Typically this will be a stanza from a well-known poem or poet - although it is perfectly permissible to write your own texte.
The second part - the glose or glosa proper - is a gloss on, or explanation of, the texte. It takes the form of an ode, with one stanza per line of the texte. Each stanza in turn expands upon its corresponding line of texte, and ends with a repetition of it. 
An example will make this clearer.
 
Another blow for press freedom

The painful warrior famoused for fight 
After a thousand victories once foiled 
Is from the book of honour razèd quite 
And all the rest forgot for which he toiled. 
 
A thug, about him something of the night, 
But our thug, who took up arms and stood firm, 
Brave, strong and tall for what he thought was right.  
A hero, though he’d blush to hear the term, 
The painful warrior famoused for fight.
 
- - - - -

Related forms

The rondeau redoublé will give you a distinct sense of déjà vu.

© Bob Newman 2004. All rights reserved.



Tuesday 18 June 2013

Eucharistic tabernacle, workshop of Andrea della Robbia (1435-1525).

• Magnificat.com, June 2013-06-2013 



The Eucharistic Trinity

 The works of Andrea della Robbia (Florence, 1435-1525) are consistently composed around three key elements: a setting, often adorned with flowers, that highlights the liturgical dimension of the subject; a uniform background of deep blue, created with pigments of precious lapis lazuli, representing heaven; and figures in resplendent white, that is, chosen ones who are the blessed actors in a sacred story. Here, however, the celestial blue background is draped by a curtain that stretches open to reveal the gray, cloud-swept sky of earth. And within this sky, as if in response to an epiclesis, the Holy Spirit appears in the form of a dove. The point of view in this scene, therefore, is completely reversed vis-à-vis all of della Robbia’s other works, where the visible universe (the standpoint of the faithful) contemplates the invisible universe (where the divine promises to the faithful are fulfilled). This work is unique, for it invites us to gaze upon the Eucharistic species through the eyes of the Father.


What does the Father see? For the first time since the creation of the world, he sees a man who has accomplished his will on earth as it is in heaven—a man who has thus become, by the power of the Holy Spirit, a living sacrifice of praise to his glory. On the threshold of heaven, the Father sees the Son, true man in Flesh and Blood, delivered into the hands of death for us. Through him the Father sees humanity ransomed and saved. With him he sees Adam cross through death, his eternal destiny restored. In him he sees the New Adam create the new man, the man-for-others: Eucharistic man. In this bread and wine that angels adore, and that we are invited to share—to eat and to drink—the Father sees the extent of the gift he made of his beloved Son, so that we might enter into communion with God forever.
Pierre-Marie Dumont 

 Eucharistic tabernacle, workshop of Andrea della Robbia (1435-1525), glazed terracotta, Cité de la céramique de Sèvres, France. © RMN-Grand Palais (Sèvres, Cité de la céramique) / Martine Beck-Coppola.
 

Our prayer is communal St. Cyprian



Night Office Reading by St. Cyprian opens the door for THE OUR FATHER in the teaching of Christ. The heading of "Our prayer is communal" makes interesting Links from Google.- breathing to vast vistas............

Google
Google browse: "prayer is communal".
About 5,400,000 results (0.26 seconds) - see Link at end.

iBreviary 
Day: Monday, 17 June 2013
SECOND READING

From a treatise on the Lord’s Prayer by Saint Cyprian, bishop and martyr
(Nn. 8-9: CSEL 3, 271-272)

Our prayer is communal

Above all, he who preaches peace and unity did not want us to pray by ourselves in private or for ourselves alone. We do not say “My Father, who art in heaven,” nor “Give me this day my daily bread.” It is not for himself alone that each person asks to be forgiven, not to be led into temptation or to be delivered from evil. Rather, we pray in public as a community, and not for one individual but for all. For the people of God are all one.

God is then the teacher of harmony, peace and unity, and desires each of us to pray for all men, even as he bore all men in himself alone. The three young men shut up in the furnace of fire observed this rule of prayer. United in the bond of the Spirit they uttered together the same prayer. The witness of holy Scripture describes this incident for us, so that we might imitate them in our prayer. Then all three began to sing in unison, blessing God. Even though Christ had not yet taught them to pray, nevertheless, they spoke as with one voice.

It is for this reason that their prayer was persuasive and efficacious. For their simple and spiritual prayer of peace merited the presence of the Lord. So too, after the ascension we find the apostles and the disciples praying together in this way. Scripture relates: They all joined together in continuous prayer, with the women including Mary, the mother of Jesus, and his brothers. They all joined together in continuous prayer. The urgency and the unity of their prayer declares that God, who fashions a bond of unity among those who live in his home, will admit into his divine home for all eternity only those who pray in unity.

My dear friends, the Lord’s Prayer contains many great mysteries of our faith. In these few words there is great spiritual strength, for this summary of divine teaching contains all of our prayers and petitions. And so, the Lord commands us: Pray then like this: Our Father, who art in heaven.

We are new men; we have been reborn and restored to God by his grace. We have already begun to be his sons and we can say “Father.” John reminds us of this: He came to his own home, and his own people did not receive him. But to all who received him, who believe in his name, he gave the power to become children of God. Profess your belief that you are sons of God by giving thanks. Call upon God who is your Father in heaven.
+ + +
  https://www.google.co.uk/search?q=Prayer+is+communal&oq=Prayer+is+communal&aqs=chrome.0.57j59j61j0j62l2.36980j0&sourceid=chrome&ie=UTF-8 

Monday 17 June 2013

Iona House of Prayer


Cnoc a Chalmain

Welcome to Cnoc a' Chalmain

Use the tabs above to navigate the site.
On Scotland's sacred Isle of Iona “Cnoc a' Chalmain”, the “Hill of the Dove ”, has been established as a House of Prayer under the auspices of the Roman Catholic Church. It was officially opened by the Archbishop  in the spring of 1997, the 1400th anniversary year of St Columba's death on Iona.Photo by Edward WatsonCnoc a' Chalmainprovides a peaceful place of prayer for all pilgrims in the presence of the Blessed Sacrament. Cnoc a' Chalmain also offers a unique opportunity for a single room stay on Iona, with the possibility of sharing in the ecumenical services of the island.
Cnoc a' Chalmain
(Charity No: SC018882)
Céud míle faílte  (a hundred thousand welcomes)

Sister Jean Lawson
Sister Jean Lawson rscj (Warden)

How To Find Us

The House of Prayer is five minutes' walk from the ferry. Follow the road from the pier past the Nunnery ruins. Do not turn right to the Abbey but continue straight on to the road end, then turn left through a farm gate andCnoc a' Chalmain is the second house on the right.
Map by Tiraghoil Designs  Photo by Edward Watson

Travel Time

COMMENT: Iona pictures

Cnoc a' Chalmain - The 'Hill of the Dove'

  1. Cnoc a' Chalmain House of Prayer - Isle of Iona - Stay Here

    www.catholic-iona.com/stayhere.html
    Roman Catholic House of Prayer retreat accommodation, Isle of Iona, Scotland.
Dear Robert,
Thank you for your TEXT, appreciating the 'pictorial'.
No, I was not behind the lense, not able to travel.
The Novice took pictures, and this is a Blogspot experiment - amazing! |

domdonald.org.uk 

P.S. You might interest the Link of House of Prayer, Iona. 

----- Forwarded Message -----
From: bob sweeney ....
To: donald....
Sent: Monday, 17 June 2013, 8:14
Subject: Iona pilgrimage

Dear Father Donald,
 
Had to send quick e mail, on way to work, to say well done on the above photographs.
 (I take it it was you behind the lenses ). 
What a lovely day I have been many times to Iona. 
I call it the supermarket of tranquility so many special things to experience.
God Bless 
Robert

Reflections on Bl. Marie-Joseph Cassant by Fr Lode van Hecke, ocso, 2004




 Blessed Marie-Joseph CASSANT (1878-1903)

Portrait by Sr Anna-Maria, Vitorchiano
Collect
Biography
Letter of Blessed MJ Cassant to his parents
What does Fr. Cassant offer to us today? (D. Bernardo Bonowitz - OCSO)
Some comments in order to prepare the beatification (P. Lode van Hecke)

Collect

O Lord. Glory of the lowly,
who inspired a burning love
for the Eucharist in Blessed Joseph Mary,
and led him into the desert
through the Heart of Jesus;
grant, we beseech you,
that by his intercession and example
we may prefer nothing to Christ,
that he may bring us to life everlasting.
Who lives and reigns..


Reflections on
Bl. Marie-Joseph Cassant
by Fr Lode van Hecke, ocso, 2004.
We sometimes know very little about the saints of our Order, and I wouldn’t want Fr. Joseph, who is in many regards very simple, to slip through the cracks.
But in what way is Joseph an inspiration for us? It is perhaps not obvious for people of today, especially the last generations. We are usually struck first of all by things which draw us away from him, and the list can be long.
Let us recall, first of all, that he had a very short life : March 6, 1878 - June 17, 1903, twenty-five years. Joseph, as a child, had many draw-backs, even if he came from a well-to-do family. Small and of a weak constitution, he had trouble following in class, to the point that his difficulty in studying was an obstacle to his admittance to the seminary : he so longed to become a priest ! Finally, he entered Saint-Marie-du-Désert on December 5, 1894. His life there was very ordinary, but it’s his vulnerability which strikes. He needs a Spiritual Director who must continuously reassure him against his scruples. He will never be given any position of responsibility. He is at times nerve-racking by his clumsiness at work. The “little way” as epitomized by Thérèse of Lisieux perhaps finds an even better candidate in Joseph in that he does not possess Thérèse’s natural gifts.
Furthermore, after 100 years, many things in his life have become dated. According to our standards, he was too young to be admitted to the monastery: a child of 16 years old. You will say that Thérèse of Lisieux was 15 years old and that Fr. André Malet – his Spiritual Director, of whom I’ll speak again – entered at 14! But at first glance, our Joseph is not a man of their stature. He will always seem fragile and dependent. He is, for example, haunted by the prospect of having to leave the monastery and face such an anti-clerical France. The “law on associations” which entails the expulsion of religious congregations comes into effect in 1901. The threat then is very real and the abbot orders the moving of part of the furniture and the library. We are getting ready to leave if necessary. Thanks to Dom Chautard’s intervention, the Trappists will never have to leave France, a fact little known to Joseph. But he is also obsessed by the idea of being abandoned by Fr. André, who continually calms his scruples and encourages him. He has such a great need of him. “The world” appears in his eyes as dangerous and hostile. It will take a good deal of personal work before he comes to progressively accept any eventuality. Thérèse of Lisieux lived at the same period (she dies the year of Joseph’s simple profession). But she, on the other hand, dreams of martyrdom and the idea of confrontation spurs her on. Joseph doesn’t have either the intellectual acumen of the Carmelite who was interested in studies beyond the strict minimum required. Joseph studies with a great deal of difficulty, notwithstanding his intellectual curiosity, which is limited to what is necessary to be a good monk and especially a priest. His difficulties in studies will remain his cross throughout. A last comparison with Thérèse : she would’ve loved to be a missionary and is interested in people to convert while Joseph’s interests did not go beyond the walls of the abbey.
But I am nevertheless struck by his qualities, less spectacular, but solid: his faith and his confidence, his uprightness, and his good sense (he is not stupid), a good discernment, a will of steel. He reads assiduously: he feels the need to feed his mind, even during mental prayer (otherwise, he falls asleep or his spirit wanders!). He writes a great deal: he makes note of important passages, prayers and reflections. I will mention only this one: “What’s the point of religious life if one does not change himself?” It’s a good formula which implies a great deal of faithfulness. The verb in French is not usually used in that reflexive way. To change oneself (“se modifier”), for Joseph Cassant, implies on the one hand, to remain true to self – you cannot become completely different - , but on the other, that a real transformation (which is sought out) is in order – otherwise it is stalemate. Important question which I can ask from time to time: do I really change myself? Fr. Joseph probably applied it only to himself, but the question can be extended (the expression “religious life” points in that direction): does my community transform itself, and the Order? In that sense, changing oneself is simply part of life.
What is his specific grace? I believe that it is his “innocence,” to be child-like, which most of us lose, except some rare exceptions like him, and never get back. We see it on his face in a picture that was taken in 1897. (Of the rare pictures that we have of him, it’s by far my favorite.) What makes this innocence real is his peasant good sense which keeps him well-grounded and an exceptional strength of character which made him go forward regardless of the obstacles. If Joseph is not very muscular, he is nonetheless a lumberjack. He is clear-sighted not only for others but also for himself. Recognizing his limits, he has learned to accept them without withdrawing into himself. All of these qualities make him a rather sturdy individual. But at the same time, his child-likeness makes him disarming. But one can push this even further. Because of his devotion to the Sacred Heart, with his sense for the Eucharist, he is truly on a mystical quest. He has been ordained priest on October 12, 1902. His motto “Everything for Jesus,” in his case, should be taken strictly to the letter. There is no question of sentimental devotions or superficial spirituality. Through this slant – together with his child-likeness -, he reaches back to a tradition which dates back to the 12th century, even to the Bible. How could he be other than a man of heart, and loved by everyone: everyone? Except for a member of the community, a professor of theology (no less), who later became his infirmarian: this brother never missed an opportunity to humiliate him. The heroic virtues of Joseph start here and will cumulate in his terrible death from tuberculosis, incurable at the time and detected much too late. It is, of course, this last trial which places him above any form of sentimentality or head in the clouds. Joseph lives up to the situation and proves himself to be of the caliber of a little Thérèse. “To live only of love and for love” could’ve been written by Saint Bernard or the Little Thérèse: no, it was written by Joseph.
To synthesize the teaching of Father Joseph, I readily take the words of Dom Bernardo Olivera during his homily at Sainte Marie du Désert, June 17, 2003 :
- Joseph was : a simple man who accepted himself as such ; a disciple of Jesus who let himself be instructed ; a young monk who accepted direction ; - Joseph knew : how to seek peace and pursue it ; he was able to forget himself to server others; he managed to renounce his self-will in order to follow that of his Lord ;
- Joseph is : a lover, who let himself be crucified ; a thankful individual who let himself be transformed in thanksgiving (Eucharist); a priest of Christ who sacrificed himself on the altar.
I cannot but mention the important role of Fr. André Malet, his Master of Novices, Spiritual Father, and professor of theology - he will later become abbot of the community - a figure of high stature, a guide without compare. Without him, Joseph would not have been what he later became. Father André will know how to discern an austerity sought for itself and how to direct it towards a spirituality which is more monastic and even mystical. The danger was that penitence would smother contemplation. The point is to love; the rest has its place, but subordinate. He will communicate to Joseph devotion to the Sacred-Heart – very popular at the time – and a keen sense for the Eucharist. You have the impression that everything was already there in the first sentence that Fr. André said to Joseph when he first came to the monastery: “I will help you to love Jesus.” In the spiritual adventure in which they shared, Joseph became an example of confidence and obedience; Fr. André will become a model of spiritual discernment. Finally, the disciple will precede the master. The latter understood this very well when he said that he hoped, one day, to be buried at the foot of his disciple.
We therefore understand that the Abbot General, every chance he gets, loves to speak of our little brother as a patron for our times and for our Order. At a time when precariousness is found everywhere, Fr. Joseph can be a help to those who suffer from the limits they must endure. He is an example that holiness is within their reach




Let your prayer come from a humble heart St. Cyprian 16 June 2013

iBreviary 16 June 2013
Hannah praying for a son
 

READINGS

FIRST READING  From the book of Judges
2:6-3:4 Israel in the time of the judges  

SECOND READING

From a treatise on the Lord’s Prayer by Saint Cyprian, bishop and martyr
(Nn. 4-6: CSEL 3, 268-270)

Let your prayer come from a humble heart

When we pray, our words should be calm, modest and disciplined. Let us reflect that we are standing before God. We should please him both by our bodily posture and the manner of our speech. It is characteristic of the vulgar to shout and make a noise, not those who are modest. On the contrary, they should employ a quiet tone in their prayer.

Moreover, in the course of this teaching, the Lord instructed us to pray in secret. Hidden and secluded places, even our own rooms, give witness to our belief that God is present everywhere; that he sees and hears all; that in the fullness of his majesty, he penetrates hidden and secret places. This is the teaching of Jeremiah: Am I God when I am near, and not God when I am far away? Can anyone hide in a dark corner without my seeing him? Do I not fill heaven and earth? Another passage of Scripture says:The eyes of the Lord are everywhere, observing both good and wicked men.

The same modesty and discipline should characterize our liturgical prayer as well. When we gather to celebrate the divine mysteries with God’s priest, we should not express our prayer in unruly words; the petition that should be made to God with moderation is not to be shouted out noisily and verbosely. For God hears our heart not our voice. He sees our thoughts; he is not to be shouted at. The Lord showed us this when he asked: Why do you think evil in your hearts? The book of Revelation testifies to this also: And all the churches shall know that I am the one who searches the heart and the desires.

Anna maintained this rule; in her observance of it she is an image of the Church. In the First Book of Kings we are told that she prayed quietly and modestly to God in the recesses of her heart. Her prayer was secret but her faith was evident. She did not pray with her voice, but with her heart, for she knew that in this way the Lord would hear her. She prayed with faith and obtained what she sought. Scripture makes this clear in the words: She was speaking in her heart; her lips were moving but her voice could not be heard; and the Lord heard her prayer.
 The psalmist also reminds us: Commune within your own hearts, and in the privacy of your room express your remorse.This is the teaching of the Holy Spirit. Through Jeremiah he suggests this: Say in your hearts: Lord, it is you that we have to worship.

My friends, anyone who worships should remember the way in which the tax-collector prayed in the temple alongside the Pharisee. He did not raise his eyes immodestly to heaven or lift up his hands arrogantly. Instead he struck his breast and confessing the sins hidden within his heart he implored the assistance of God’s mercy. While the Pharisee was pleased with himself, the tax-collector deserved to be cleansed much more because of the manner in which he prayed. For he did not place his hope of salvation in the certainty of his own innocence; indeed, no one is innocent. Rather he prayed humbly, confessing his sins. And the Lord who forgives the lowly heard his prayer.

RESPONSORY

Let us consider how we should live in the presence of God and his angels.
 And so let us stand singing psalms in such a way
that mind and voice are in harmony.

Let us recall that God does not delight in how much we pray,
but in our purity of heart and sorrow for sin.
 And so let us stand singing psalms in such a way
that mind and voice are in harmony.

Sunday 16 June 2013

2 Anointings Homily, Fr. Raymond, 11th Sunday Luke 7:36-50


TWO ANOINTINGS

THE REPENTANT WOMAN   (A biblical reflection on the 11th Sunday in Ordinary Time [Year C]- June 16, 2013)  First Reading: 2Sam 12:7-10,13; Psalms: Ps 32:1-2,5,7,11; Second Reading: Gal 2:16,19-21; Gospel Reading: Luke 7:36-8:3 (Luke 7:36-50) 


----- Forwarded Message -----
From: Fr. Raymond ....
Sent: Tuesday, 18 June 2013, 18:23
Subject: 
2 Anointings

THE TWO ANOINTINGS OF JESUS FEET

Sometimes in the Gospels we find two stories, two incidents in the life of Jesus that are strikingly similar although they happen at different times and in different places.  We have, for example, today’s story of the anointing of Jesus feet by the sinful woman, compared with the story of the anointing of Jesus feet by Mary of Bethany a week or so before his passion.

The anointing of his feet by a woman is the common link between these stories, but there the similarity ends.

In the first story the setting is in the house of a stranger;  a stranger who, in fact is not very much of a host.  Jesus even complains about his lack of hospitality. In the second story, the anointing at Bethany, Jesus is in the house of his very dear and special friends; Martha, Mary and Lazarus.  He knows how much they love him and how much they revere him.
Both stories are about an act of great love, but the first anointing is one that is all about a love that is repentant for a life of sin.  The second anointing, however, is not about sin at all it is an act of love, spontaneous love, pure and simple.

Why then should both acts of love; a repentant love, and a pure and simple love, be put to us in the gospel in such a similar way?  Surely it is so that we will compare them in our minds and hearts and learn something from the comparison!  I think that one of the things we can learn from this comparison is that, no matter how much we may have sinned in the past, our repentant love means as much to Jesus as the love of those who have remained innocent and pure.
“Many sins have been forgiven her because she has loved much”
“There is more joy in heaven over one repentant sinner than over ninety nine who have no need of repentance.

St Columba 1450th Anniversary Iona pictures

ALBUM.























































































 



     





















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The Nunnery

Cnoc a' Chalmain: Oratory east window
Prayer House - entrance to oratory

St Oran's Chapel

Street of The Dead