Monday 21 April 2014

Octave of Easter 24 April 2014

Monday within the Octave of Easter 
MEDITATION     OF THE      DAY from Magnificat com
SAINT GREGORY PALAMAS
Easter Monday
The Resurrection of the Lord is the renewal of human nature, and the renewal, re-creation, and return to im­mortality of the first Adam who was swallowed up by death because of sin, and through death went back to the earth from which he was formed. In the beginning nobody saw Adam being made and brought to life, for no one existed yet at that time. However, once he had received the breath of life breathed into him by God (Gn 2:7), a woman was the first to see him, for Eve was the first human being after him. In the same way, no one saw the second Adam, that is the Lord, rising from the dead, since none of his disciples were present and the soldiers keeping the tomb had been shaken with fear and became like dead men. But after the Resurrection it was a woman who saw him first of all ....

There is something which the Evangelists tell us in a veiled way, but which I shall reveal to your charity. As was right and just, the Mother of God was the first person to receive from the Lord the Good News of the Resurrection, and she saw him risen and had the joy of his divine words before anyone else. She not only beheld him with her eyes and heard him with her ears, but was the first and only person to touch with her hands his most pure feet. If the Evangelists do not say all this openly it is because they do not want to put for­ward his Mother as a witness, lest they give unbelievers grounds for suspicion.

Saint Gregory Palamas (+1359) was a monk and Archbishop of Thessalonica.

Grcgory Palamas (SaintFrom The Homilies, Christopher Veniamln, Ed. and Tr. The Stavropegic Monastery of St. John the Baptist, Essex, UK. Published by Mount Thabor Publishing, 2009. www.thaborian.corn. Used with pemission.




Sunday 20 April 2014

The Easter Proclamation

During the Service of Light, we stand, holding our lighting candles.

           Abbot sets to Paschal fire alight.


Paschal Candle leads the procession in the Cloister

Procession from the Cloister to the Church entrance

The Deacon carries the Paschal Candle in the sanctuary.

Saturday 19 April 2014

Holy Saturday 'I was trying to be one with Him in His agony.' Vigil of the Resurrection


Holy Saturday.  Vespers Song of Mary, Crucifixion Fra Angelico

 Holy Saturday 2014 afforded the hours for reflection prayer and heartfelt presence of the Lord in agony

HE AND i  1942  (Gabrielle Bossis)
 November - 14  –  Holy Hour.  –
I was trying to be one with Him in His agony.

"The last evening of My life among you  -  how sweet and solemn it was. . . I gave Myself not only to the Twelve, but to everyone of you right to the end of the world.

My child, I was already in your hearts by My yearning for you. I had so great a desire that everyone, everyone, might receive the sacrament of My love, since I came to invent it for you. And I saw all the benefits that you would find in it. But in My agony, I also saw desecrations and sacrileges; I saw what I had done with such love become an object of hatred and loss. What an exchange for the infinite delicacy of My love! And I was alone in My suffering. "

(. . . ) "You who have the joy of receiving Me every day, ask that this same grace be given to others. Say to Me, 'Choose them  -  you who know all the secrets of souls  -  and apply my prayer to them. '

And if you are the means of bringing one or many into frequent fellowship with Me, do you think that I could fail to be grateful, not only for the glory gained by it, but above all for the joy it brings to My heart. I' ll let you feel this joy reflected upon you. "
 
Crucifixion-Fra_Angelico_Capitular Hall, Convent San Marco, Florence, Italy

Easter Vigil Exultet The Light of Christ (Lumen Christi)


Nunraw Abbey Liturgy
Saturday, 19 April 2014

Holy Saturday - Easter Vigil, solemnity - Year A



Holy Saturday
The women saw  how his body was laid; and they prepared spices and ointments;  and rested the sabbath day according to the commandment.  Luke 23:55,56
        Holy Saturday (in Latin, Sabbatum Sanctum ), the 'day of the entombed Christ,' is the Lord's day of rest, for on that day Christ's body lay in His tomb.  
        We recall the Apostle's Creed which says "He descended unto the dead."   It is a day of suspense between two worlds, that of darkness, sin and death, and that of the Resurrection and the restoration of the Light of the World.   For this reason no divine services are held until the Easter Vigil at night.  
        This day between Good Friday and Easter Day makes present to us the end of one world and the complete newness of the era of salvation inaugurated by the Resurrection of Christ.
************
The Easter Vigil
Very early in the morning, they came unto the sepulchre, bringing the spices which they had preparedand they found not the body of the Lord Jesus.  Luke 24:1,3
        The night vigil of Easter signifies Christ's passage from the dead to the living by the the liturgy which begins in darkness (sin, death) and is enlightened by the fire and the candle representing Lumen Christi the Light of Christ just as the Church, the Mystical Body of Christ, the community of believers, is led from spiritual darkness to the light of His truth.
        Christ's baptism, which our own baptism imitates, is represented during the liturgy by the blessing of the water of baptism by immersing (`burying') the candle representing His Body into the font.  
        During the liturgy we recall God's sparing of the Hebrews whose doors were marked with the blood of the lamb; we are sprinkled with the blessed water by which we were cleansed from original sin through Christ's sacrifice, and we repeat our baptismal vows, renouncing Satan and all his works. We rejoice at Christ's bodily resurrection from the darkness of the tomb; and we pray for our passage from death into eternal life, from sin into grace, from the weariness and infirmity of old age to the freshness and vigor of youth, from the anguish of the Cross to peace and unity with God, and from this sinful world unto the Father in heaven.  
The Water
        The Easter Vigil includes a blessing of water. The water is a sign of purification and of baptism. Holy water, that is, water that has been ceremonially blessed is a sacramental. Sacramentals are "sacred signs which bear a resemblace to the sacraments[by which the faithful are] given access to the stream of divine grace which flows from the paschal mystery of the passion, death, and resurrection of Christthe fountain from which all sacraments and sacramentals draw their power."    [Constitution on the Sacred Liturgy, No. 60. Second Vatican Council Documents]
        Some other common sacramentals are blessed palm (and the ashes used on Ash Wednesday made from them), candles, medals, priestly blessings and other prayers.  Water blessed during the Easter Vigil is used for baptisms and other blessings. This water does not last the whole year, so there is a special blessing for holy water used at other times of the year, also. Traditionally the blessing of holy water includes an exorcism, or protection against evil, and the addition of salt, a spiritual symbol of wisdom which preserves our faith. 
       Catholic churches have basins or `fonts' containing holy water near the entrance so that believers can dip their fingers in it before making the sign of the cross as they enter the House of God as a symbol of purification. This simple gesture reminds believers of their consecration to Christ in baptism, and visibly indicates their acceptance of the Catholic faith.
The Light of Christ (Lumen Christi)
        The Paschal candle represents Christ, the Light of the World: "I am the light of the world. He that followeth me walketh not in darkness" [John 8:12]. The pure beeswax of which the candle is made represents the sinless Christ who was formed in the womb of his Mother. The wick signifies his humanity, the flame, his divine nature, both soul and body. Five grains of incense inserted into the candle in the form of a cross recall the aromatic spices with which his Sacred Body was prepared for the tomb, and of the five wounds in his hands, feet, and side. 
        During the Easter Vigil on Holy Saturday night the priest or deacon carries the candle in procession into the dark church. A new fire, symbolizing our eternal life in Christ, is kindled which lights the candle. The candle, representing Christ himself, is blessed by the priest who then inscribes in it a cross, the first letters and last of the Greek alphabet, (Alpha and Omega `the beginning and the end') and the current year, as he chants the prayer below; then affixes the five grains of incense.  The Easter candle is the largest and most beautiful in the Church. It is a reminder of the Risen Redeemer "who shining in light left the tomb." It is lighted each day during Mass throughout the Paschal season until Ascension Thursday.  
Christ yesterday and today, 
the Beginning and the End, 
the Alpha and Omega. 
His are the times and ages: 
To Him be glory and dominion 
Through all ages of eternity.
Amen
http://dailygospel.org  
Vatican 'Exultet' English, new  = 
 

Friday 18 April 2014

Veneration of the Cross. Friday of the Passion of the Lord

  

Holy Triduum, 
Friday of the Passion of the Lord
Part two is the Veneration of the Cross. A cross, either veiled or unveiled, is processed through the Church, and then venerated by the congregation. We joyfully venerate and kiss the wooden cross "on which hung the Savior of the world." During this time the "Reproaches" are usually sung or recited.

 The Adoration of the Holy Cross

Part three, Holy Communion, concludes the Celebration of the Lord's Passion. The altar is covered with a cloth and the ciboriums containing the Blessed Sacrament are brought to the altar from the place of reposition. The Our Father and the Ecce Agnus Dei ("This is the Lamb of God") are recited. The congregation receives Holy Communion, there is a "Prayer After Communion," and then a "Prayer Over the People," and everyone departs in silence.

Holy Thursday 4. The Altar of Repose





The Altar of Repose 
When the Eucharist is processed to the altar of repose after the Mass of the Lord's Supper, we should
remain in quiet prayer and adoration, keeping Christ company. There is a tradition, particularly in big cities with many parishes, to try and visit seven churches and their altar of repose during this evening.

Popular piety is particularly sensitive to the adoration of the Most Blessed Sacrament in the wake of the Mass of the Lord's supper. Because of a long historical process, whose origins are not entirely clear, the place of repose has traditionally been referred to as "a holy sepulchre". The faithful go there to venerate Jesus who was placed in a tomb following the crucifixion and in which he remained for some forty hours.
It is necessary to instruct the faithful on the meaning of the reposition: it is an austere solemn conservation of the Body of Christ for the community of the faithful which takes part in the liturgy of Good Friday and for the viaticum of the infirmed. It is an invitation to silent and prolonged adoration of the wondrous sacrament instituted by Jesus on this day.
In reference to the altar of repose, therefore, the term "sepulchre" should be avoided, and its decoration should not have any suggestion of a tomb. The tabernacle on this altar should not be in the form of a tomb or funerary urn. The Blessed Sacrament should be conserved in a closed tabernacle and should not be exposed in a monstrance.
After mid-night on Holy Thursday, the adoration should conclude without solemnity, since the day of the Lord's Passion has already begun.
— Directory on Popular Piety

Holy Triduum. Newman 'You have died that I might live'.




Night Office Readings, 

Holy  Week Good Friday

FRIDAY OF HOLY WEEK, YEAR II


 A READING FROM THE PROPHET JEREMIAH
(The loneliness of the Prophet: Jeremiah 16:1-15)

The word of the LORD came to me: “You shall not take a wife, nor shall you have sons or daughters in this place. For thus says the LORD concerning the sons and daughters who are born in this place, ...
Second Reading (Alternative):
From a sermon by Cardinal Henry Newman
Works of John Henry Newman
Discourse 14. The Mystery of Divine Condescension


You have died that I might live.
Such would be the conjecture of man, at fault when he speculated on the height of God, and now again at fault when he tries to sound the depth. He thinks that a royal glory is the note of His presence upon earth; lift up your eyes, my brethren, and answer whether he has guessed aright. Oh, incomprehensible in eternity and in time! solitary in heaven, and solitary upon earth! "Who is this, that cometh from Edom, with dyed garments from Bozra? Why is Thy apparel red, and Thy garments like theirs that tread in the wine press?" It is because the Maker of man, the Wisdom of God, has come, not in strength, but in weakness. He has come, not to assert a claim, but to pay a debt. Instead of wealth, He has come poor; instead of honour, He has come in ignominy; instead of blessedness, He has come to suffer. He has been delivered over from His birth to pain and contempt; His delicate frame is worn down by cold and heat, by hunger and sleeplessness; His hands are rough and bruised with {302} a mechanic's toil; His eyes are dimmed with weeping; His Name is cast out as evil. He is flung amid the throng of men; He wanders from place to place; He is the companion of sinners. He is followed by a mixed multitude, who care more for meat and drink than for His teaching, or by a city's populace which deserts Him in the day of trial. And at length "the Brightness of God's Glory and the Image of His Substance" is fettered, haled to and fro, buffeted, spit upon, mocked, cursed, scourged, and tortured. "He hath no beauty nor comeliness; He is despised and the most abject of men, a Man of sorrows and acquainted with infirmity;" nay, He is a "leper, and smitten of God, and afflicted". And so His clothes are torn off, and He is lifted up upon the bitter Cross, and there He hangs, a spectacle for profane, impure, and savage eyes, and a mockery for the evil spirit whom He had cast down into hell.
 
Oh, wayward man! discontented first that thy God is far from thee, discontented again when He has drawn near,—complaining first that He is high, complaining next that He is low!—unhumbled being, when wilt thou cease to make thyself thine own centre, and learn that God is infinite in all He does, infinite when He reigns in heaven, infinite when He serves on earth, exacting our homage in the midst of His Angels, and winning homage from us in the midst of sinners? Adorable He is in His eternal rest, adorable in the glory of His court, adorable in the beauty of His works, most adorable of all, most royal, most persuasive in His deformity.

Think you {303} not, my brethren, that to Mary, when she held Him in her maternal arms, when she gazed on the pale countenance and the dislocated limbs of her God, when she traced the wandering lines of blood, when she counted the weals, the bruises, and the wounds, which dishonoured that virginal flesh, think you not that to her eyes it was more beautiful than when she first worshipped it, pure, radiant, and fragrant, on the night of His nativity? Dilectus meus candidus et rubicundus, as the Church sings; "My beloved is white and ruddy; His whole form doth breathe of love, and doth provoke to love in turn; His drooping head, His open palms, and His breast all bare. My beloved is white and ruddy, choice out of thousands; His head is of the finest gold; His locks are branches of palm-trees, black as a raven. His eyes as doves upon brooks of waters, which are washed with milk, and sit beside the plentiful streams. His cheeks are as beds of aromatical spices set by the perfumers; His lips are lilies dropping choice myrrh. His hands are turned and golden, full of jacinths; His throat is most sweet, and He is all lovely. Such is my beloved, and He is my friend, O ye daughters of Jerusalem."

So is it, O dear and gracious Lord, "the day of death is better than the day of birth, and better is the house of mourning than the house of feasting". Better for me that Thou shouldst come thus abject and dishonourable, than hadst Thou put on a body fair as Adam's when he came out of Thy Hand. Thy glory sullied, Thy beauty marred, those five wounds welling out blood, those temples torn and raw, that {304} broken heart, that crushed and livid frame, they teach me more, than wert Thou Solomon "in the diadem wherewith his mother crowned him in the day of his heart's joy". The gentle and tender expression of that Countenance is no new beauty, or created grace; it is but the manifestation, in a human form, of Attributes which have been from everlasting. Thou canst not change, O Jesus; and, as Thou art still Mystery, so wast Thou always Love. I cannot comprehend Thee more than I did, before I saw Thee on the Cross; but I have gained my lesson. I have before me the proof that in spite of Thy awful nature, and the clouds and darkness which surround it, Thou canst think of me with a personal affection. Thou hast died, that I might live. "Let us love God," says Thy Apostle, "because He first hath loved us." I can love Thee now from first to last, though from first to last I cannot understand Thee. As I adore Thee, O Lover of souls, in Thy humiliation, so will I admire Thee and embrace Thee in Thy infinite and everlasting power.  


Thursday 17 April 2014

Easter Approach now Holy Thursday 'Holy Sacrifice of the Mass'



Comment:  

Holy Thursday, 3. Liturgy of the Eucharist, brings to the heart of the 

'Holy Sacrifice of the Mass'.

Lenten Reading, or lenten browsing, on the illuminating paintings of the artist, Elizabeth Wang.

Below, the twenty full colour paintings,

'Holy Sacrifice of the Mass' draw us into the wat of 'Radiant  Light.

* * *
FW: Easter - Elizabeth Wang
On Friday, 11 April 2014, 
William ...> wrote:
Dear Father Donald,

Thank you! - I am pleased that the Easter card and poem email reached you 'soundly', always worried lest my old version of Word causes you problems. You may judge how your encouragement to find art as a source of spiritual inspiration has excited and influenced me. I think I studied all of the available 'Emmaus' paintings before I found that particular one, the 'instant' of the revelation of Christ's presence.

Elizabeth Wang's painting are truly inspirational. I have begun saving copies of the Mass paintings to delight in them, and following your link to St Paul's, have ordered a copy of the poster. Gazing at the copies has quite entranced me. Sister Wendy's words on abstract art are profound: "We have to respond to it, be still before it, let it speak to us, before we can "see". Doesn't this parallel what happens in prayer?" and "In prayer we are still, we can allow the jumbled pattern - not to unravel into clear shapes - but to reveal in the very jumble" Our Lord's presence.

What a treasure for meditation and contemplation - thank you!

...yours in Our Lord,
William

From: Donald ...>
To: William J ...> 
Sent: Thursday, 10 April 2014, 
Subject: Easter approach and poem

Dear William,
Thank you, and overwhelmed with your Easter gifts.
And I add to the GAZE from Elizabeth Wang's canvases.
Donald
Note: In Elizabeth Wangs’ collage on “The Holy Sacrament of the Mass” seems to give the key parallel to Wendy Becket’s meditation on abstract canvases.
Yet we would not know this is "two sunflowers" had we not been given the title. The actual canvas is an intricate mesh of colour and line: an abstraction. Given the name, we can read it with joy. Isn't this part of the delight of the work? We have to respond to it, be still before it, let it speak to us, before we can "see". Doesn't this parallel what happens in prayer?

For the moment, taking Sr. Wendy latching on to the title, it will be revealing of the rest of the 20 titles in The Holy Sacrifice of the Mass. The GAZE on just one give me the hour before the Mass.

Poster: Holy Sacrifice of the Mass

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Quick Overview

This beautiful poster contains twenty full-colour paintings which illustrate the Mass from beginning to end, with English and Latin picture titles.

§  Images and texts from this website can be downloaded for non-commercial uses, with full attribution, under these conditions. If you copy or download images or text from this website it is understood that you have agreed to these conditions.
Please note these are jpeg images of 1500 pixels width. They should allow high quality printing up to size A4, and reasonable quality printing up to size A3. You can download images one-by-one, or use the "Download all images" button below.
THESE DOWNLOADS ARE PROVIDED FREE OF CHARGE. PLEASE CONSIDER MAKING A DONTATION TO SUPPORT THE WORK OF RADIANT.
http://www.radiantlight.org.uk/art_gallery/cart/


 &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&

1. INTROIT Entry into the Sancuary
2. KYRIE Lord Have Mercy
3. GLORIA Glory be to God
4. ALLELUIA The Gospel
5. CREDO The Creed
6. OFFERIMUS TIBI The Offertory
7. SANCTUS Holy, Holy, Holy Lord
8. EPICLESUS Come. Holy Spirit
9. HOC EST This is my Body
9. HOC EST This is my Body
11. MYSTERIUM FIDEI The Acclamation
12. OMNES QUI All our Departed 
 13. PER IPSUM Through Him, with Him
14. PATER NOSTER Our Father 
 15 AGNUS DEI Lamb of God
16. DOMINI Lord, I am not worthy 
17. COMMUNIO Communion 
 18. LAUS ET JUBILATIO Praise and Joy
 19. ITE, MISSA EST Go to Love and Serve
20. DEO GRATIAS Thanks be to God 1992
+++++++++++++++++++++++++
Sister Wendy Becket
The Gaze of Love
Meditation on Art pp.60-61
Joan Mitchell
TWO SUNFLOWERS, 1980
"Art like prayer is always the expression of longing.”
Joan Mitchell was one of the so-called second generation abstract expressionists, and the overallness of Two Sunflowers might bring Jackson Pollock to mind.

Wednesday 16 April 2014

Easter Greetings - An Unnamed Disciple

May Resurrection joy be yours this Easter, fr. Donald

Supper at Emmaus
Caravaggio painted this second version of the Supper at Emmaus in 1606. It is more modest than his most famous painting of 1601.
By comparison, the gestures of figures are far more restrained, making presence more important than performance. This difference possibly reflects the circumstances of Caravaggio's life at that point, recognising the ongoing evolution of his art. In the intervening five years he had come to recognise the value of understatement.
The narrative is well known:
The two men at the sides of the table suddenly realize that the man they have spent most of the afternoon with is their deceased master. One of them raises his hands, the other clutches the table. The innkeeper and his wife remain calm, as they do not know what is happening.


   And it occurred that as He reclined at table with them, He took [a loaf of] bread and praised [God] and gave thanks and asked a blessing, and then broke it and was giving it to them when their eyes were [instantly] opened and they [clearly] recognized Him, and He vanished (departed invisibly). Luke 24:30. (1 Corinthians10:16)


 Easter Greetings

The cup of blessing [of wine at the Lord’s Supper] upon which we ask [God’s] blessing, does it not mean [that in drinking it] we participate in and share a fellowship (a communion) in the blood of Christ (the Messiah)? The bread which we break, does it not mean [that in eating it] we participate in and share a fellowship (a communion) in the body of Christ?        [Amplified Bible translations]


An Unnamed Disciple
           
After the days of the Passion of Our Lord, we have need to leave the turmoil in Jerusalem and take to the road to Emmaus, to become one with the two disciples, in order to reflect upon ‘the things that have occurred there in these days’1. On our journey we will meet the Risen Christ in a deeply personal way, for only He can guide us in our understanding of the meaning of His Passion and reveal Himself to us. At the inn of Emmaus, the stranger is revealed and recognized to be the Risen Lord as He breaks bread before Cleopas and his companion, an unnamed disciple.

Luke 24:15 And while they were conversing and discussing together, Jesus Himself caught up with them and was already accompanying them [AMP translation]

I love to remain hidden upon the hillside remembering that night
Watching silently as You made Your Way through the olive groves,
Sensing the foreboding of the disciples from whom You had withdrawn,
Their hearts sharing Your Mother’s fears as to where all this was leading

As the shadows lengthened and the darkness of that night descended
They lay exhausted, their sacred source of energy deserting them,
Unable to comprehend Your ‘baptism’2 of which You had forewarned,
Attending only to the whispering trees that told of all that was to befall

I witnessed Your final hours as the sword pierced through the soul of Mary3
The portents and earthquake telling of the death of her beloved son and Lord
The livid force of evil exacting its final cruel vengeance upon You,
Stunning me with terror as I turned unseen and fled along the open road…

Along the way I was startled by a stranger who brought my Lord to life for me
Discovering the meaning in the Scriptures of the suffering of the Messiah,
Revealing Yourself in a moment of recognition as You broke the bread
Manifesting Your Eucharist presence to one who remains an unnamed disciple

1 Lk 24:18        2 Lk 12:50          3 Lk 2:35

Luke 24:30 And it occurred that as He reclined at table with them, He took a loaf of bread and praised God and gave thanks and asked a blessing, and then broke it and was giving it to them when their eyes were instantly opened and they clearly recognized Him...[AMP]

2 Cor 4:6b…  the knowledge of the majesty and glory of God as it is manifest
                 in the Person and is revealed in the face of Jesus Christ the Messiah [AMP]

Key words:        of the Messiah: Your Way, withdrawn, ‘baptism’, revealing, manifesting
            of Mary: Mother’s fears, pierced through, death of her beloved son and Lord
            of the Disciples: foreboding, exhausted, …deserting, unable to comprehend
of the events: all this (preceding), all that (following)
            of the one unnamed: remain hidden, witnessed, unse

William - POEM, ‘my jotting’