Thursday 17 April 2014

Easter Approach now Holy Thursday 'Holy Sacrifice of the Mass'



Comment:  

Holy Thursday, 3. Liturgy of the Eucharist, brings to the heart of the 

'Holy Sacrifice of the Mass'.

Lenten Reading, or lenten browsing, on the illuminating paintings of the artist, Elizabeth Wang.

Below, the twenty full colour paintings,

'Holy Sacrifice of the Mass' draw us into the wat of 'Radiant  Light.

* * *
FW: Easter - Elizabeth Wang
On Friday, 11 April 2014, 
William ...> wrote:
Dear Father Donald,

Thank you! - I am pleased that the Easter card and poem email reached you 'soundly', always worried lest my old version of Word causes you problems. You may judge how your encouragement to find art as a source of spiritual inspiration has excited and influenced me. I think I studied all of the available 'Emmaus' paintings before I found that particular one, the 'instant' of the revelation of Christ's presence.

Elizabeth Wang's painting are truly inspirational. I have begun saving copies of the Mass paintings to delight in them, and following your link to St Paul's, have ordered a copy of the poster. Gazing at the copies has quite entranced me. Sister Wendy's words on abstract art are profound: "We have to respond to it, be still before it, let it speak to us, before we can "see". Doesn't this parallel what happens in prayer?" and "In prayer we are still, we can allow the jumbled pattern - not to unravel into clear shapes - but to reveal in the very jumble" Our Lord's presence.

What a treasure for meditation and contemplation - thank you!

...yours in Our Lord,
William

From: Donald ...>
To: William J ...> 
Sent: Thursday, 10 April 2014, 
Subject: Easter approach and poem

Dear William,
Thank you, and overwhelmed with your Easter gifts.
And I add to the GAZE from Elizabeth Wang's canvases.
Donald
Note: In Elizabeth Wangs’ collage on “The Holy Sacrament of the Mass” seems to give the key parallel to Wendy Becket’s meditation on abstract canvases.
Yet we would not know this is "two sunflowers" had we not been given the title. The actual canvas is an intricate mesh of colour and line: an abstraction. Given the name, we can read it with joy. Isn't this part of the delight of the work? We have to respond to it, be still before it, let it speak to us, before we can "see". Doesn't this parallel what happens in prayer?

For the moment, taking Sr. Wendy latching on to the title, it will be revealing of the rest of the 20 titles in The Holy Sacrifice of the Mass. The GAZE on just one give me the hour before the Mass.

Poster: Holy Sacrifice of the Mass

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Quick Overview

This beautiful poster contains twenty full-colour paintings which illustrate the Mass from beginning to end, with English and Latin picture titles.

§  Images and texts from this website can be downloaded for non-commercial uses, with full attribution, under these conditions. If you copy or download images or text from this website it is understood that you have agreed to these conditions.
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1. INTROIT Entry into the Sancuary
2. KYRIE Lord Have Mercy
3. GLORIA Glory be to God
4. ALLELUIA The Gospel
5. CREDO The Creed
6. OFFERIMUS TIBI The Offertory
7. SANCTUS Holy, Holy, Holy Lord
8. EPICLESUS Come. Holy Spirit
9. HOC EST This is my Body
9. HOC EST This is my Body
11. MYSTERIUM FIDEI The Acclamation
12. OMNES QUI All our Departed 
 13. PER IPSUM Through Him, with Him
14. PATER NOSTER Our Father 
 15 AGNUS DEI Lamb of God
16. DOMINI Lord, I am not worthy 
17. COMMUNIO Communion 
 18. LAUS ET JUBILATIO Praise and Joy
 19. ITE, MISSA EST Go to Love and Serve
20. DEO GRATIAS Thanks be to God 1992
+++++++++++++++++++++++++
Sister Wendy Becket
The Gaze of Love
Meditation on Art pp.60-61
Joan Mitchell
TWO SUNFLOWERS, 1980
"Art like prayer is always the expression of longing.”
Joan Mitchell was one of the so-called second generation abstract expressionists, and the overallness of Two Sunflowers might bring Jackson Pollock to mind.

Wednesday 16 April 2014

Easter Greetings - An Unnamed Disciple

May Resurrection joy be yours this Easter, fr. Donald

Supper at Emmaus
Caravaggio painted this second version of the Supper at Emmaus in 1606. It is more modest than his most famous painting of 1601.
By comparison, the gestures of figures are far more restrained, making presence more important than performance. This difference possibly reflects the circumstances of Caravaggio's life at that point, recognising the ongoing evolution of his art. In the intervening five years he had come to recognise the value of understatement.
The narrative is well known:
The two men at the sides of the table suddenly realize that the man they have spent most of the afternoon with is their deceased master. One of them raises his hands, the other clutches the table. The innkeeper and his wife remain calm, as they do not know what is happening.


   And it occurred that as He reclined at table with them, He took [a loaf of] bread and praised [God] and gave thanks and asked a blessing, and then broke it and was giving it to them when their eyes were [instantly] opened and they [clearly] recognized Him, and He vanished (departed invisibly). Luke 24:30. (1 Corinthians10:16)


 Easter Greetings

The cup of blessing [of wine at the Lord’s Supper] upon which we ask [God’s] blessing, does it not mean [that in drinking it] we participate in and share a fellowship (a communion) in the blood of Christ (the Messiah)? The bread which we break, does it not mean [that in eating it] we participate in and share a fellowship (a communion) in the body of Christ?        [Amplified Bible translations]


An Unnamed Disciple
           
After the days of the Passion of Our Lord, we have need to leave the turmoil in Jerusalem and take to the road to Emmaus, to become one with the two disciples, in order to reflect upon ‘the things that have occurred there in these days’1. On our journey we will meet the Risen Christ in a deeply personal way, for only He can guide us in our understanding of the meaning of His Passion and reveal Himself to us. At the inn of Emmaus, the stranger is revealed and recognized to be the Risen Lord as He breaks bread before Cleopas and his companion, an unnamed disciple.

Luke 24:15 And while they were conversing and discussing together, Jesus Himself caught up with them and was already accompanying them [AMP translation]

I love to remain hidden upon the hillside remembering that night
Watching silently as You made Your Way through the olive groves,
Sensing the foreboding of the disciples from whom You had withdrawn,
Their hearts sharing Your Mother’s fears as to where all this was leading

As the shadows lengthened and the darkness of that night descended
They lay exhausted, their sacred source of energy deserting them,
Unable to comprehend Your ‘baptism’2 of which You had forewarned,
Attending only to the whispering trees that told of all that was to befall

I witnessed Your final hours as the sword pierced through the soul of Mary3
The portents and earthquake telling of the death of her beloved son and Lord
The livid force of evil exacting its final cruel vengeance upon You,
Stunning me with terror as I turned unseen and fled along the open road…

Along the way I was startled by a stranger who brought my Lord to life for me
Discovering the meaning in the Scriptures of the suffering of the Messiah,
Revealing Yourself in a moment of recognition as You broke the bread
Manifesting Your Eucharist presence to one who remains an unnamed disciple

1 Lk 24:18        2 Lk 12:50          3 Lk 2:35

Luke 24:30 And it occurred that as He reclined at table with them, He took a loaf of bread and praised God and gave thanks and asked a blessing, and then broke it and was giving it to them when their eyes were instantly opened and they clearly recognized Him...[AMP]

2 Cor 4:6b…  the knowledge of the majesty and glory of God as it is manifest
                 in the Person and is revealed in the face of Jesus Christ the Messiah [AMP]

Key words:        of the Messiah: Your Way, withdrawn, ‘baptism’, revealing, manifesting
            of Mary: Mother’s fears, pierced through, death of her beloved son and Lord
            of the Disciples: foreboding, exhausted, …deserting, unable to comprehend
of the events: all this (preceding), all that (following)
            of the one unnamed: remain hidden, witnessed, unse

William - POEM, ‘my jotting’


Holy Week 2014 Horarium


Timetable for Holy Thursday - Easter Sunday


Holy Thursday              5.00pm     Mass of the Lord's Supper
                  (No Vespers)
7.30          Compline


Good Friday                (Day of fast and abstinence)
            3.00pm      Liturgy
            (Holy Communion may be received
            only during today's liturgy)
           
            7.30 Compline


Holy Saturday             (No morning Mass)
            5 .30pm     Vespers
            (6.00pm     Church closes)
            (l0.30pm Church reopens)

            11.00pm    Easter Vigil
            (This Mass fulfils the Sunday Obligation)


Easter Sunday
                10.00am    Community Mass
                6.00pm      Vespers



Tuesday 15 April 2014

Necrology Dom Aengus Dunphy, Father Stephen Peate




Bethlehem

February 8, 2014: Dom Aengus Dunphy was born in 1921 in Co,. Laois (Ireland). He entered Mount Melleray in 1943, made his solemn profession in 1948 and was ordained that same year. He was abbot of O.L of Bethlehem 1958-1977. From 1979-1991 he was chaplain in O L of Praise, Butende. Dom Aengus was 92 years old. He had been in monastic vows for 67 years and a priest for 64.

RI News Letter 
         Aengus' Spade

I found the spade dug deep,
Where he had left it months ago,
Beside the ice hill.
Waiting, rusting, thinking
He won't be back.

Will another foot press my lug
Deep, into new ground:
Sow other possibilities;
Or must I stand and pray,
A silhouetted memorial;
To sweat spilled, sincerity sown
To harvest love
In Portglenone.
  
Dom Aengus up until he was into his eighties liked nothing better than breaking up a plot of rough ground with only a spade .The more briars the better. The last plot he dug up was beside the Ice Hill. That was where he left his spade, never to return to it.
Br Columba, Portglenone •••



Saturday, 05 April 2014

  
April 4, 2014: Father Stephen Peate was born in 1924 in Brownhill-Leeds (Great Britain). He entered Caldey in 1948, made his solemn profession in 1955 and was ordained a priest in 1956. Father was 89 years old, had been in monastic vows for 62 years and 58 years a priest when the Lord called him.


Father Stephen (Geoffrey Xavier Peate)
17 November 1924 – 4 April2014
 Obituary

CALDEY WAS AT A LOW EBB when Geoffrey Peate, a young Yorkshire man, joined the community in 1948. It had only nine members. Since the foundation from Scourmont in 1929, only one British recruit had persevered, the legendary Br Thomas Moore.
A convert to the faith, the future Father Stephen served in the Air Force and was confirmed in Calcutta. When he entered Caldey on 4 October 1948, it took months for his Confirmation certificate to arrive ... Father Stephen made his junior profession on 17 June 1951, his Solemn Profession on 11 June 1955, and was ordained to the priesthood by Bishop John Edward Petit of Menevia on 23 March 1956. From 1956 to 1958 Father Stephen studied theology at the Gregorian University in Rome.
When Br Thomas Moore died unexpectedly in 1966, Father Stephen was left as Procurator for the next 32 years ... He was now at the heart of the island's economic life, with the continu­ing prosperity of the perfume business and the expansion of the tourist industry. When Dom lames Wicksteed resigned his abba­cy in 1980, Fr Robert O'Brien was appointed Superior, who, after he was elected Abbot four years later, appointed Father Step hen as Prior in 1984. He remained in this post for almost 15 years. These are the facts, easily written down in a few lines. But to describe the man, the monk and the person of Father Stephen is something that requires so much more.
He himself was a man of a very few words, although, during the last days of his life he felt more free to express his thoughts and feelings verbally.
There is a line in the Book of the Psalms (his prayer book!) that may sum up the essence of Father Stephen's life, and the way he tended to think about life in all its ambiguities. It is the line where the Psalm speaks about God - 'He who sits in the heav­ens, He laughs' (Psalm 2:4). For Father Stephen, in the real life, and the essence of the real life is necessarily connected with the Kingdom of heaven, there has to be laughter!
No doubt, this conviction must have had its origins in the fact that his early life was exposed to violence and danger during his service in the Air Force in World War 11. Experience taught him and many of his contemporaries that life itself was not a joke, and that life could never be treated as something cheap and disposable. With these deeply ingrained impressions Father Stephen began his search for the meaning of life, and in this search he never wavered. He searched indefatigably for truth in God without ever letting go of the search for meaning in his human interactions. He was an avid reader of the classics, and kept reading the works of e.G. Jung on psychology, with the earnest desire to arrive at a deeper self-knowledge and a pro­found understanding of others ... Father Stephen was always prepared to listen with sympathy, and allowed others to speak until he felt the time was ready to react as he believed God would react ... he laughed, and we laughed with him, always reminding us not to take ourselves too seriously.
His last moments were spent in the company of his brothers whom he loved, and in the company of his favourite composer Joseph Haydn, whose string quartets he knew inside out ...
Rest in peace, Father Stephen - brother, mentor, and friend ­your time for genuine laughter has come ... and a good game of cricket!
Fr Daniel Caldey

With thanks from

Sunday 13 April 2014

PALM SUNDAY JERUSALEM 2014 at the Church of Holy Sepucher


Palm Sunday at the Church of Holy Sepulcher - Jerusalem | Demotix.
www.demotix.com800 × 533Search by image
Armenian priests hold palms after the celebrations and mass of the holy Palm Sunday at the Church of the Holy Sepulcher in Jerusalem.
http://en.lpj.org/2012/04/02/blessing-of-palms-at-holy-sepulcher/ 
JERUSALEM – The March 31 Vespers and Sunday, April 1 marked the beginning of Holy Week with Palm Sunday. His Beatitude the Latin Patriarch Fouad Twal blessed Palm and olive branches and trees at the Holy Sepulchre on Sunday morning. He presided then the Mass of the Passion. For all, it’s time to enter together in the celebration of the Paschal Mystery. Photo report. 
 https://picasaweb.google.com/medialpj/20120401RameauxSaintSepulcre?fgl=true&pli=1&fgl=true#slideshow/5726357195639515986

Palm Sunday Holy Sepulcher Jerusalem
https://www.youtube.com/watch?v=6wAksgP-XsI

Palm Sunday 2 2014 Jerusalem